studiomcah
Art • Books • Writing
Musing about Paperbacks
June 25, 2024

I continue to work on my online shop… last week I finished uploading and hooking up all the paperbacks, making them available for purchase to US customers. (International frens, you are few but mighty! I am researching options for you!) I listed all the reason I’m happy about this on the store announcement post, but the most pertinent are that I can offer them at lower prices, and I can bundle them so people can buy entire sets at once.

The lower price thing is key, though. To allow expanded distribution (so that, say, you could walk into a bookstore and order one of my paperbacks), I needed to set my retail prices much higher than I was comfortable with…. 16.99, 17.99, even 21.99. When I sell direct, I don’t need to worry about other distribution networks, and I can get you a copy of Earthrise for $12.

The biggest cost in producing a paperback is how much paper you’re using; this is true anywhere. So as you can imagine, my writing long tends to create more expensive physical objects. But that’s brought me to the fact that some amount of that length is my backmatter.

My frens, I love my backmatter. I love adding appendices with artwork and language stuff and background information. As a reader, if I get really into a book, I will wallow in any extra info the author gives me, and I know I’m not alone… so I’m not likely to stop adding that kind of thing to the back of my books.

What I am considering, is only putting them in the back of direct sales editions.

Some number of you are staring at me significantly, so let me reassure you! I have some changes in mind to how I launch my novels. Previously, I went directly to retail, because… that’s what was easiest.

Now, I’m thinking of giving my superfans and dedicated readers privileges, in the form of “first dibs.” Here’s what I’m thinking my process will look like in the future:

  • Launch on Kickstarter: The new book is ready, and instead of popping it on Amazon, I launch it on Kickstarter with my “author’s edition” version with all the fun backmatter. Ebooks are $5, and I make doodle paperbacks and extremely fancy hardcovers (foil! Sprayed edges!) available. My new printer will do affordable color interiors, even, so the cheapest paperbacks will still have color images if I have any to put in it.
  • Second stage launch to the Chimerical online shop: the author’s editions (ebook, paperback, hardcover) go to the shop. The ebooks are still $5. Unsigned physical copies go to the shop; for now, any signed copies still get special ordered via Etsy. At this point, a preorder is made available on retail. Author Edition paperbacks are $12.
  • Retail launch, probably a month or two later, of a non-author’s edition version. Ebooks are $6.99, paperbacks (again, not the author’s edition) are in the $16.99-$20.99 range.

So if you’re worried about grabbing that special edition (especially if you’re not in the US), I’ll make sure you get a chance at some point.

I have several reasons in mind about why I might want to stop putting the chonk backmatter in retail editions, but they boil down to cost savings (because they reduce the amount of paper used), and professionalism. It’s the latter that probably needs unpacking, but I feel that all the over-excited worldbuilding rambling and sketching comes across as a little too over-the-top… sort of like when you run into That Guy who won’t stop bending your ear about their favorite thing and you just want them to get to the point and go away. XD

Here's where I get to ask you how you feel about backmatter… particularly if you first found me via a retail purchase. Those of you who’ve been around for a long time and have encountered me via Kickstarter, Livejournal, some muck somewhere, my old stardancer website… you’ll of course have a different relationship with the backmatter, especially the art. I’m wondering if it was a delight to people who just stumbled onto something on Amazon, or if it was intimidating or cringey. Let me know!

Here also I’d like to say… I was prepping a new paperback edition of Spots, which required a lot of work since the only file I have for the existing paperback is a non-editable PDF, and toward the end I was cutting and pasting the lists of serial patrons and kickstarter backers and… so many of you are still here. You have no idea how that warmed my heart. I am so glad so many of you are on this road with me still. It’s seeing so many familiar names return, project after project, that makes me want to reward you all with extra effort and cool stuff. <3

Anyway, that’s the ramble of the week!

 

Oh, and also today the Stray Cat sticker/magnet campaign launched! This one has a ‘I draw your design’ tier, among other goodies! Go enjoy the fun!

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Hi, all. Welcome to this episode of The Jaguar’s Heart.

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I also loved it because the Cuban coffee part is real. I grew up with Cubans. I know how we are....

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The Jaguar's Heart 6: Hatespeech

One of the most common things I hear (and say) right now is "the asymmetry is the story." Here's one about how none of us are innocent of the sins we hate in others.


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It’s been weeks since the Baen’s Bar incident and I’m still thinking about it... because the longer I do, the more I feel, overwhelmingly, that it’s obvious that the problem is deeper than “this forum was saying stuff that offended us.” We have to back up to the glaring fact that people on opposite sides no longer consider each other human. Nothing I say will matter because the people disagreeing with me don’t think I’m human. They have denied my humanity; they have not bothered to listen to my beliefs, or have fake-listened to them in that way that people do when they’re so ready to prove you wrong that they’re only using your speech to provide talking points for their own ideas.

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KH5 Draft is DONE!

https://mcahogarth.org/gallery/image/145-2026-08-ThirukediWithNakked

...so the Wednesday Share today is from the most recent sketchbook, of the time period the book is set in.

And that's all I got because this book took me 2 years to write (if you don't count all the time I spent messing around with ideas for it!) and I am so wrecked. I'm not even going to look at it for another month before starting edits. My projected publication date for this one will be October/November.

I am going to flop. -_-

If you're on the discord, I might do balance cards for people this week, so stop by if you want one!

Oh, and if you've read Counters of Stars and enjoyed it, can you leave a review for it on the store? I would really really appreciate it! No, seriously, the tank is so empty. Hearing 'This was great' will help. 🧡

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https://mcahogarth.org/gallery/image/145-2026-17-CurrentProjectsOnMyMind

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Nearing 6000 Images!
Gallery Update, August

I have been hard at work on the gallery and it’s time, thus, for an update! And I’m going to do it in stats because everyone loves numbers.

Overall:

  • 56% of the large format books are done

  • 5805 images in the gallery

  • 1897 (33%) have my commentary
    169 are finished pieces!

When I say “large format”, I mean the numbered sketchbooks that are 9x12 or larger. This total doesn’t count the mini-sketchbooks, high school sketchbooks, the remaining conlang notebooks (about 72 more books) or any of the loose artwork. But I figure I’ll jump those bridges when I get to them.

Now, some fun stats:

Top Characters So Far:

  • Me (!) – 267

  • Alysha – 191

  • Zafiil – 104

  • Vasiht’h – 99

  • Distant Song – 83

This probably reflects which books I’ve done so far more than popularity; I’ve done the “back” of the stack and the beginning of the stack but we’re missing large swathes of the middle. I’m curious to see how the character ratios change then… I’m guessing Alysha will remain popular but other characters will start pulling ahead.

Top settings (unsurprisingly):

  • Peltedverse: 1821

  • After this, Kherishdar and Jokka are tied if you count the language work for both.

Surprisingly, 168 pictures from World of Warcraft! So if you’re a gamer, you might want to hit that tag. Fun dark horse: Coracle, with 47 images uploaded so far. Only one book for Coracle, and yet!

Related: Spoiler images, at 53 uploads, comprise .9% of the total in the database right now. This is a good time to mention that when you create an account, all the warning tags are flagged by default so you don’t see those images; you have to manually uncheck them to see spoilers, questionable images, etc. I am here to protect you from accidental book trauma!

  • 194 titles say some form of ‘Probably’, ‘Maybe,’ or ‘I guess’

…which reflects that a lot of these books are decades old and my paper sieve memory does not resurrect my thought process at the time, especially with really loose sketches. Which brings me to:

Notes versus Sketches (and other developmental work):

  • Drawings: 93%

  • Notes: 1.5%

  • Language Notes: 3.8%

  • Maps, Floor plans, and Schematics: 72 images

Notes can be anything from timelines to worldbuilding scribbles to poetry to outlines! More of this resides in the mini-sketchbooks than the larger ones, but it’s fun to see the data I felt I needed a bigger page to explore. Also, it’s fun to see how much time I spend on maps and schematics. If you were ever curious about what items look like, or wanted to “walk through” a floor plan of some place I’ve written about more than once, you can definitely hit the database for that. (So can I! Very important!)

Finally, a ridiculous statistic:

  • 99 pages are sketches of horses

  • Absolute failures (10)

  • Sketches I liked (5)

  • Neutral: 84

I will continue drawing horses until morale improves. Someone else’s, because apparently I am almost never happy with my horse drawings.

When I sit back and think about the fact that I’m about halfway through archiving my art and it’s nearly 6000 images already… how… how many single people have 6000 useful images online in one place? What I’m doing is wild if I look at it too closely. So I don’t, I’m just gonna keep going. XD

Go make an account and have fun browsing!

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Welcome Back, to the Stardancer Gallery

I have a gallery again.

It would be so easy to say ‘I can’t tell you what that means to me’ but part of my thing is that I do tell you what things mean to me, all the time, so I’m going to try.

1.png?token-hash=nrdoS5Y9_iiERRaTSKIzbGY-dtyGgI1XVmNbDQ3zMz0%3D&token-time=1784764800
mcahogarth.org

Let me start by telling you about the original Stardancer gallery, which many of you remember and an even larger number of you weren’t around for. Because in an era before big sites like DeviantArt, when personal websites were still linked by webrings and coded by hand, I had a website that used a database to show visitors not only the latest thing I’d uploaded, but the comments left by dozens of people on that offering.

It’s so hard to explain how crazy that was. There were no Wordpress packages, no visual editors, no gallery plugins. There was no user validation by Google or Apple, no social media, no expectation of interaction or community. Everything had to be coded by hand and installed by someone who wasn’t afraid of a UNIX command line. And from 1999 until mid-2012, the Stardancer gallery served, on average, 5 pieces of art a week, with over 175,000 words of commentary from me, for thirteen years, and those pieces accrued between 5 to 40 comments from visitors. When it finally went down, there were 2906 distinct pieces of art in the database, and of those 253 had multiple versions—I uploaded them as I worked on them with commentary on each stage. Some of those pieces had 9-10+ stages where you could watch me wrestling with them (complete with titles like “OMG Ugly Stage” and “needs a background”).

For context, 175,000 words is probably about 700 tightly-packed paperback pages. That’s how much commentary I wrote. And that’s not including 1993 keywords and 60 projects I was tagging everything with.

I wanted that gallery so I could share my art with all of you. But it was also functioning as an organizational layer for me. When I was trying to remember a story, a character name, a forgotten piece of art I wanted to finish, I would search my own gallery. It was my backup brain, and my sketchbook index, and it kept me focused. It even had basic project management tools, since each of those 60 projects had a status: complete, in progress, ongoing, on hold, trunked.

The sunsetting of the original site was inevitable. You can’t run software with visions of enterprise-level functionality on a friend’s personal computer. But I was in the very unusual position of having started out with a system custom-built for my idiosyncrasies, and nothing on the market was good enough. I kept poking and not loving any of my choices. Host all my artwork on some aggregate gallery site or shoehorn it into a cookie-cutter Content Management System? No thank you. So I never replaced Stardancer, and for fourteen years, I’ve been running without that second-brain infrastructure.

And now, I have it again.

Now I can think ‘what was that thing I said about that one character in that one sketchbook?’ and search and find it. I can mutter, “Where is all the Ai-Naidari language work” and pull up the notebook. I can think ‘Didn’t I want to finish that picture of the dala fox? What sketchbook is that in?’ and I know.

I know!

And unlike the first gallery, this one can have everything in every sketchbook. Because I streamlined the parts I hate (editing, watermarking, uploading, making thumbnails, importing into the database) and left myself only the parts I enjoy (writing comments and tagging). And while some of the original Stardancer’s features aren’t online yet, like multiple versions of the same image, they’re designed and in the queue… and this version can have cool new features, like user favorites, and requests from users who love something and want me to finish it.

I’m so forgetful. I keep trying to explain to people how much of a cheesecloth my brain is with just about everything. Without rigorous documentation, lists, and notebooks, I would be completely useless. Art is one of those places I document my thoughts and keep myself pointed in the right direction. The fourteen years I didn’t have a gallery are literally gone in my brain, artistically. I have to dig up the physical books and thumb through them to remember anything about them. So I think you can imagine my relief that this is now available… not just for you to enjoy. But for my sake, to keep myself from vanishing because I am no longer observing myself.

Right now the new gallery has 2644 images across the 42 sketchbooks (and one unfinished language notebook) I’ve scanned and uploaded… of the nearly 200 I have. I’m only just getting started. I am crazy excited, I can’t even tell you.

I have a gallery again.

I have a gallery again!

1.png?token-hash=OFM2le6FWSQrplCYRdqaQS9LfErLYuCE_NXNeyl-5I0%3D&token-time=1784764800
mcahogarth.org

Anyway, this is the part where I talk about how you can enjoy the gallery:

Every subscription and purchase helps keep the gallery open and supports our free users, so thank you so much for chipping in!

What can I say? Welcome home, my friends. Welcome back!

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Early Access is Now Live! Come Join Us on Ke Bakil!
Make your own Jokka clan and watch it thrive!

Good news, patrons! The beta for the JOKKA! game is now open! You, as paying patrons, now have early access!

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