studiomcah
Art • Books • Writing
Gamelit 34
someone who changed my life
December 20, 2024

            It had been so long since Ray had made his own breakfast that slouching out of bed and over to the kitchen to use it for something other than reheating leftovers felt strange. Good, though. He remembered, vaguely, that he’d once enjoyed scrambling his own eggs because no one else made them the way he preferred. And if there was a poptart in the toaster instead of sourdough bread, half a homemade breakfast was better than none, right?

            He was nearly done cooking when it occurred to him to blame this behavior on the hours spent editing PonyMom’s Fantasy Kitchen takes. There were only so many mouthwatering cooking videos you could consume before you started imagining yourself with a pan and a spatula, also winning at life. Looking at the meal once it was on the table, he conceded this was maybe not as much winning as PonyMom was capable of, but it was still satisfying. As he sat, he reached for his phone, and stopped. Seriously, couldn’t he enjoy eating without having to clock in? Because there was no using the phone without dealing with the notifications, and that would inevitably lead him to the channel metrics, and he’d be telling himself that it was entertainment to do a deep dive into the stats. But it was entertainment that made him want to move to the computer and work, and then how could he enjoy the poptart at its maximum heat-to-gooeyness perfection? Especially paired with the coffee? One bite eggs, one bite poptart, swallow of coffee. Ah, yes. Life was good. Pony Mom had a point about slowing down.

            That resolution lasted halfway through the meal, but at least it was a half a meal he enjoyed at a more measured pace, right? Better than nothing. He opened his channel aggregation page and saw the big percentage leap first, and it wasn’t Killz and Goldie. Overnight, Pony and Nerd had jumped from an average of 800 views to 20,000. The comments sections were on fire, too: 400% activity compared to Killz’s 221%. The latter was more impressive because Killz’s subscriber and watcher bases were so much larger; 221% of a giant pie was a lot more pie. But the ratio on the nerd channel suggested the people who were showing up were invested. Seriously. The video drop with the wingling adoption was doing serious numbers, ticking up while he watched. Everyone loved a cuddly pet; in fact, he whipped up a quick poll and pinned it to the top of the channel: “Should Omen Galaxica release wingling plushes? (Tell us what color you’d buy!)”

            Was there any high like watching engagement shoot up in realtime like that? He chewed through the remains of his poptart while enjoying the glow. While the numbers jumped up like a rabbit on meth, he checked the smart agent that trolled the comment sections for useful data, and it had floated one thread to the top: ‘hey can we get more wizard guy’ ‘yeah, id watch an entire video of just wizard guy doing fantasy city civil engineering’ ‘wicked yeah more wizard guy’

            “Nice,” Ray said to the phone. “The family channel is complete. We have collected them all.” He opened his email client and shot off a message to Boy Wonder, asking him to pump his dad for more content. While he had the client open, he had another message from Seong, with attachments… video to splice together, now that their beta teams were interacting. Excellent.

            If he’d been asked to bet on whether the pathetic duo would pan out in any way, he would have laughed… laughed, and apparently been wrong. And if he’d also bet on whether he’d spend the entire morning choosing to work on Teen Bard’s boutique channel over Killz’s enormo enterprise… he couldn’t believe he was prioritizing Boy Wonder. He couldn’t believe he was enjoying it.

            He was enjoying it. God, how weird was that?

 

***

 

            After Mom went to bed, Nick stayed up talking with Carl and directing the centaurs as they hauled blocks to one building or the next. It had hurt to see Donner’s Beck a ruin, but there was something satisfying about putting it back together to his plan, and not the game’s. If he decided the blacksmith should be on the opposite end of the lane, or if he thought there should be two inns, or no inns, or higher buildings or buildings that were half underground… the limit was literally what he could imagine, and what Galatea was able to simulate. And Galatea could simulate anything, as long as it wasn’t gamebreaking. There was a lot of room for creativity—for making his mark—between the game as he’d always played it and gamebreaking changes. Adding the centaurs alone had changed things, and consulting them on what they needed had been a lot of fun. Mostly they wanted taller and wider doors, and that led to two-story buildings where the first story was for mixed species and the top floor for species with normal feet. “Maybe the inn should have one of those cool interior balconies,” Nick told Carl. “You know, you could leave your inn room and look over it into the taproom. Or hey, it could even have one of those cool courtyards and be open in the middle, like a Roman villa!”

            “Sure, dude,” Carl said. “That sounds sweet. As long as there’s a stable for my destrier. And hey, if you’re here, maybe there should be a treehouse for the deer-friends.”

            Carl’s derpiness was definitely made up for in commitment to being a hero. A hero who remembered that the Cervinaethi were deer-friends and not deerfolk and definitely not ‘deers’ or ‘furries.’ Nick could get behind that.

            He woke up to an ambrosial smell that hadn’t wafted up to his room in way too long. He didn’t even stop to brush his teeth before showing up downstairs, where his dad was overseeing one of his rare Spanish tortillas. Mom was stirring hot chocolate, the kind that his grandmother sent them now and then that produced something ‘like what they serve in Madrid, or at least, close enough.’ Seeing his face, his mom laughed. “Best Saturday ever?”

            “Potato and egg goodness, plus hot chocolate? Yes? Obviously?”

            “It’ll be out soon,” his dad said.

            “And meanwhile you can tell me what this random email was about,” Mom said. “Something about your request and someone in a hospital?”

            “What? Wait, I’ll be right back!” Nick dashed back up the stairs and scooped up his phone. He did in fact have email worth opening, a rare occurrence… but the first one wasn’t about a request and someone in a hospital. He read his channel manager’s email and pumped a fist in the air. They wanted more of his dad’s crazy stuff? Perfect!

            The second email was in fact copied to his mom, and came not from an official Omen account, but from someone’s individual domain, [email protected].

Nick,

Omen Galaxica can’t be involved, but I thought your idea was a good one. I’ve bought a KeepinTouch and put it in Jonah’s room. Right now it’s set to play the soundtracks from the game, but you can use the attached credentials to login and send video/audio.

I’m going to be watching everything that comes through, so don’t make me regret it!

Thanks for your request.

            His first instinct, to login immediately and let Galatea know, was derailed by the smell of breakfast. He took the stairs three at a time and was at his seat before his father had finished pulling the tortilla out. “So you got that too. I guess that makes sense, we’re registered as a team, and you signed the paperwork….”

            “What exactly did you get yourself into?” Dad asked.

            Thinking of what had happened to Omen Galaxica’s creator put a pall on his appetite. Briefly. He took the cup of hot chocolate from his mom and had a healthy gulp, one he only slightly regretted when it burned his tongue. “You know the game was made by a couple of guys, and one of them was the one who had most of the big ideas for the story.”

            “Right,” Dad said. “Jonah Slater. He was in that motorcycle accident, wasn’t he? It was before the last expansion drop.”

            He should probably stop being surprised that his dad apparently knew this much about the game. “Yes. He’s been in a coma, and he hasn’t woken up yet.”

            “Oh no!” his mother said. “How old is he?”

            “Thirties, I thought,” Dad said. “Maybe late twenties?”

            “That poor boy.”

            Of course, now that Nick had gotten to this point, he realized that if he wasn’t careful, he’d reveal more about Galatea than Galatea would probably have recommended. Or wanted. He could say that about the AI, couldn’t he? Didn’t her programming constitute desires, even if they were artificially imposed? “I thought it would be nice if we could tell him how much the game means to us, because I heard that people in comas can still hear things. So I asked if they would let us send a speaker into his room so we could do that….”

            “Oh, I see,” Mom said. “That’s what that was about. They bought one and put it in his room for you, so you can use it. Like the ones your aunt sent—” She paused, looking chagrined. “That we never use because no one…”

            “Likes my sister,” Dad said, kissing the top of her head as he set the tortilla down. “Don’t worry, my love, no one’s going to argue with you. Least of all me.”

            “So I’m going to talk to him,” Nick finished. “So that he has something to listen to sometimes.” As his father put a slice of the tortilla on his plate, he said, “You know… you two should too.”

            “Us?” Mom asked, surprised.

            “Sure. Dad could read to him the way he used to read to me, before bed. That was great. And mom, you could sing—”

            “Me!”

            “Yeah?” He glanced at her surprised. “Like when we were in the car? And you put on all that music and we sang along? And the lullabies before bed…” He trailed off, thinking of what Galatea had told him. “Jonah’s parents don’t seem like very nice people. He wasn’t lucky. It might be nice for him to have some parents acting like they should. He’s… well. He’s stuck in his own head, in a bed, with no one to remember him. That seems really sad. Especially when so many people are enjoying something he made…” He stopped, then stabbed a forkful of potatoes and egg. “I know lots of people are unlucky. But this is a chance for me to help someone who changed my life.”

            “Then of course you should do it,” Dad said. “And we’ll be happy to contribute.”

            “Maybe my singing will be so alarming he’ll wake up immediately to make it stop?”

            Nick laughed. “Good one, Mom. But you’re not fooling me or Dad.”

            “Oh?”

            “He’s caught on that you’re fishing for compliments by acting modest,” Dad said.

            “I’d caught on to that years ago,” Nick added. “It’s not like you try to hide it.”

            “True,” Mom said.

            “Also, Dad, my channel manager wants more content from you. Solo content! About city planning in medieval times, or whatever you want to talk about. People just want to listen to you talk.”

            It was his mother’s turn to laugh. “Didn’t think you’d get famous?”

            “I’m not famous,” Dad said. “A channel with a hundred subscribers isn’t fame. But I’d be happy to record a few lectures. If they seriously want lectures.”

            “They seriously want lectures. You know how the internet is with deep dives into niche interests.”

            His father chuckled. “Yes… I guess I do. All right.”

            “Perfect,” Nick said. “Can I have seconds?”

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Gamelit Novel Index

The chapter titles are all a mess. But this is the proper order so far:

Gamelit 1 - https://studiomcah.locals.com/post/4241337/gamelit-novel-first-chapter

Gamelit 2 - https://studiomcah.locals.com/post/4255477/gamelit-novel-last-bit-of-chapter-1

Gamelit 3 - https://studiomcah.locals.com/post/4267366/gamelit-novel-chp2-part1

Gamelit 4 - https://studiomcah.locals.com/post/4267371/gamelit-novel-chp2-final

Gamelit 5 - https://studiomcah.locals.com/post/4298755/gamelit-novel-chp-3-part-1

Gamelit 6 - https://studiomcah.locals.com/post/4330428/gamelit-chp-3-part-2

Gamelit 7 - https://studiomcah.locals.com/post/4331116/gamelit-chap-4-pt-1

Gamelit 8 - https://studiomcah.locals.com/post/4361942/gamelit-chp-4-last-bit

Gamelit 9 - https://studiomcah.locals.com/post/5215305/gamelit-novel-chapter-3

Gamelit 10 - https://studiomcah.locals.com/post/5244861/gamelit-novel-10

Gamelit 11 - https://studiomcah.locals.com/post/5271216/gamelit-novel-11

Gamelit 12 - https://studiomcah.locals.com/post/5301971/gamelit-novel-12

Gamelit 13 - https://studiomcah.locals.com/post/5326625/gamelit-novel-13

Gamelit 14 - https://studiomcah.locals.com/post/5360605/gamelit-novel-14

Gamelit 15 - https://studiomcah.locals.com/post/5385714/gamelit-novel-15

Gamelit 16 - https://studiomcah.locals.com/post/5418577/gamelit-novel-16

Gamelit 17 - https://studiomcah.locals.com/post/5444360/gamelit-novel-17

Gamelit 18 - https://studiomcah.locals.com/post/5475518/gamelit-novel-18

Gamelit 19 - https://studiomcah.locals.com/post/5502726/gamelit-novel-19

Gamelit 20 - https://studiomcah.locals.com/post/5530518/gamelit-novel-20

Gamelit 21 - https://studiomcah.locals.com/post/5558728/gamelit-novel-21

Gamelit 22 - https://studiomcah.locals.com/post/5586451/gamelit-novel-22

Gamelit 23 - https://studiomcah.locals.com/post/5613544/gamelit-novel-23

Gamelit 24 - https://studiomcah.locals.com/post/5642711/gamelit-24

Gamelit 25 - https://studiomcah.locals.com/post/5668799/gamelit-25

Gamelit 26 - https://studiomcah.locals.com/post/5693714/gamelit-26

Gamelit 27 - https://studiomcah.locals.com/post/5722853/gamelit-27

Gamelit 28 - https://studiomcah.locals.com/post/5747793/gamelit-28

Gamelit 29 - https://studiomcah.locals.com/post/5772301/gamelit-29

RECAP RECAP Gamelit 29.5 - https://studiomcah.locals.com/post/6386873/gamelit-29-5

Gamelit 30 - https://studiomcah.locals.com/post/6398055/gamelit-30

Gamelit 31 - https://studiomcah.locals.com/post/6411958/gamelit-31

Gamelit 32 - https://studiomcah.locals.com/post/6432688/gamelit-32

Gamelit 33 - https://studiomcah.locals.com/post/6457957/gamelit-33

Gamelit 34 - https://studiomcah.locals.com/post/6481325/gamelit-34

Gamelit 35 - https://studiomcah.locals.com/post/6501493/gamelit-35

Gamelit 36 - https://studiomcah.locals.com/post/6542961/gamelit-36

Gamelit 37 - https://studiomcah.locals.com/post/6563733/gamelit-37

Gamelit 38 - https://studiomcah.locals.com/post/6590629/gamelit-38

Gamelit 39 - https://studiomcah.locals.com/post/6612520/gamelit-39

Gamelit 40 - https://studiomcah.locals.com/post/6635635/gamelit-40

Gamelit 41 - https://studiomcah.locals.com/post/6662873/gamelit-41-potentials-potentialing

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Solving My Marketing Problems with AI

I’ve been listening to a lot of podcasts about AI and publishing, and one of their consistent messages is: ‘don’t use AI to automate the parts of your work you enjoy… use it for stuff that causes you pain.’

Okay… good advice. So where is my pain? (Yes, long-time fans, I know you know where I’m going.) My most urgent problem is that I’ve written a lot of books across many genres and styles. If new readers look through my catalog, they’re overwhelmed; if I try to personally direct them, I have to ask a thousand questions to guess what they’ll like. Even organizing my Shopify store was an exercise in frustration; I asked an expert to evaluate it and he said, ‘your branding is too confusing, you need to give people a clear idea of what genre and style you’re selling.’ Which, of course, helped me exactly not at all, because once again he was telling me (like everyone else, over and over) that to sell well I need to pretend to be one kind of author and stick to it.

Author branding experts treat my eclectic writing as a problem, not a virtue. But this is my era of questioning received wisdom, so I decided to treat my wide range as a feature, not a bug… and since no one has advice on how to sell a wide range to readers, I was going to have to solve that problem myself.

‘Obviously,’ I thought, ‘what I should do is automate the process of figuring out which book a particular person wants. Oh, okay: a quiz! Except… the quiz software out there doesn’t do anything I need it to. I guess I’m going to have to do it myself!

‘…annnnd I haven’t coded website stuff since the 90s’.

Enter AI.

Vibe coding is to coding what using image-generating AI is to making art: it’s getting the tool to do the work for you, while the people who do it by hand tell you that it’s not real whatever-the-thing-is. Wherever you stand in the AI debate, it’s been a source of wry amusement for me that the outrage sounds the same depending on who’s threatened. And I have sympathy for every threatened party, coders and artists and everyone else. But I decided that using the AI to vibe code my way into a solution to my problem was better than not solving the problem, so I embarked on my website overhaul.

It turns out that making a quiz is a lot more complicated than I thought.

THE QUIZ: CONCEPTUALIZING

The first problem I ran into was what questions to ask. You’d think that would be simple, right? Genre, length, style, etcetera. But when I compiled those questions, they felt too generic. What I had to understand was what makes my books similar, despite their tone/style/genre, so that I could then ask ‘what makes the experience of reading each of them different despite the underlying similarities?’

This in itself was a great exercise because it demonstrated that the book marketing experts were wrong about one thing: I do have a brand. If you’ve read most of my work, you’ll know that there is a Jaguar Vibe, things you can trust will be the same whether you’re reading a Jaguar romance or a Jaguar LitRPG. It’s just that my vibe is not based on the clothes my stories are wearing, but their underlying structure and assumptions.

So, the first challenge was reframing the quiz from ‘what kind of book does the reader enjoy’ to ‘what kind of experience does the reader want,’ and that was huge. Based on that, I came up with eight attributes: scope (how personal or world-affecting the plot), wreckage (how extreme the emotional experience), familiarity (whether you like aliens or humans), pacing (how fast you like your stories), prose style (do you like it literary or plain-spoken), worldbuilding (how much work do you want to do to understand the story’s context), and tech level (replacing the scifi/fantasy genre question, allowing me to better define books that might mix them, or have mostly modern-day tech).

“Good job, Jaguar! Now all you have to do is assign values for those attributes to all your books!”

…no wait, back up.

Before I can assign the values, I need to identify which books are suitable for new readers, since the purpose of the quiz is to help new readers find their starting point. So I had that job to do. (The answer is 22. I have 22 books appropriate for new readers. No wonder it was so hard to figure out what to recommend.)

“Great, Jaguar! Now you can assign the values for those attributes to those books!”

…no wait, back up. First I had to decide what scale to use. High-mid-low? Five point? Ten point? I think I spent half an hour going back and forth with the AI about pros and cons of each before deciding on ten point scaling. And then I had the fun of assigning values for each book. Is Rosary high wreckage because it has some intense scenes in it? Or is it low because it mostly glosses over those things? Is Earthrise high worldbuilding because the Peltedverse has 25+ years of development behind it, or low worldbuilding because you don’t need to know almost any of it to appreciate it? And on and on. I spent a long time agonizing over that spreadsheet.

The result? Questions and attributes that I feel reflect my books in particular. If I was doing this for some other author, those things would be completely different, and should be; I can imagine doing a quiz like this for a romance writer who writes many different romance subgenres, and the questions should be things like ‘how much spice do you like’ and ‘do you like being the boss or romancing the boss’ and ‘vampires, yeah or nay?’

So… good deal! I have questions, and I now have scores. Now what??

THE QUIZ: IMPLEMENTATION

Then I embarked on the coding. I’ve experimented with both Claude and Grok on minor coding questions, and in general I prefer Grok’s code… but Claude has the superior project organization. Claude’s project dashboard lets you attach documents, can take and evaluate screenshots, creates interactive visuals, can create artifacts that you can easily add to the project, and even hit up github. It’s just a more polished product right now. So I used Claude for the majority of the project, and Grok when I needed to troubleshoot something Claude couldn’t figure out.

Here's where I tell you that I don’t think vibe-coding is actually tenable for most people. I joke about not knowing what I’m doing, but I did enough sysadmin work and early web coding that I know what to expect and how things behave, and I needed this knowledge to know even what to ask Claude to do, or to guess what was going wrong when things inevitably went wrong. It helped me avoid a lot of early problems (“shouldn’t we take these security concerns into consideration?” “can we make sure we have a template system in place first?”). I was, in fact, surprised at how much I remembered from the early days of PHP and databases.

I won’t go into the set-up blow-by-blow, but here’s a list of the steps I took:

  1. I do not have sysadmin access to a server the way I did in Ye Olden Days. The first step was figuring out the tools my host provider has available, how you access them, and how much “advanced” access they give you.
  2. I talked through the design with Claude. We came up with a directory structure and architecture based on what my host environment and decided on a python application with a SQL database backend, and CSS and some javascript for the front-end.
  3. Then I learned how to get python running. This was not a minor endeavor, mostly because of sysadmin issues. What version of Python is my host running? What packages does it have available? Which do I need to install, and how does it allow me to install them? (Because it doesn’t let me do any of that from the command line; I need to use their interface which smartly limits users who don’t know what they’re doing). The actual script? Claude vibe-coded that fine. Getting the script to run on my environment? A day of work.
  4. We did a quick CSS mockup and created the web pages that would serve the quiz so that I could do testing. I spent some time fussing about how the quiz was served (one question at a time) and how the quiz behaved (reload page on each question?) before moving on.
  5. I did a graphic! Seriously, at this point it was only one graphic. But that required me to think of the quiz conceit. Who’s asking the questions? Is it me? Someone else? What do they look like? My choice was one of my unicorn aliens, the Le’enle, because they shapeshift, are magical, and exist in every type of setting; I’ve written westerns, romances, urban fantasy, fairy tales, even scifi with them. The Librarian was born!
  6. I set up the database. Claude suggested the table structures, I okayed them and we set them up. (‘We set them up’ means I asked it to generate the SQL to create the tables, and I cut and pasted it into the admin window. I know how to create tables with SQL. It’s much faster to let Claude do it, and I can tell if it’s solid or not by reading it before I hit ‘run’).
  7. I attached my spreadsheet with the books and their attributes to the project and asked Claude to create the SQL insert statements to dump that data into the database, which it did—‘take the data in this format and translate it to another format’ is one of my favorite uses of AI.
  8. We checked to see if the python script ran the quiz questions, stored the answers, and matched the answers to a book. This involved a lot of troubleshooting session data.

Here we pause in the workflow because I ran into an enormous issue, which is that the books being chosen made no sense to me. “Why isn’t this working?” I asked both Claude and Grok, and they said, ‘you need to weight the answers.’ ‘Explain weighting to me,’ I said. And then ‘Explain different methods for weighting.’ And then ‘Explain the pros and cons of each weighting method.’

This was the best part of doing this, honestly. I know some things—I know databases, and the basic structure of code, and basic sysadmin things—but there are so many things I don’t know, and so many things that have changed since I was first doing this, that I’d often stop for long digressions. Everything from ‘wait, pico’s named nano now?’ to ‘you can do animations with CSS?’ to ‘explain how APIs work.’ I kept learning!

Back to the quiz: weighting the book attributes was another exercise in second-guessing and finicking. “How important is the worldbuilding to this book?” “This book is high in emotional impact, but the high intensity parts are rare and not the point.” “Does the prose style matter much to this book’s story?” I’m not entirely sure I’m happy with it even now. But the good news: once I did the weighting, the book matching started working. In some cases, almost magically… existing readers reported getting their favorites when they took the quiz. Even better, the quiz was correctly addressing some of my thornier problems; for instance, the Kherishdar books have two entry points, depending on whether you like short fiction or novels, and the pacing and immersion questions were now assigning one or the other depending on people’s preferences.

One of the coolest parts of the quiz was how infrequently it was suggesting my “average” books. For the longest time, I was only advertising Earthrise as the book most likely to appeal to the broadest number of people. But the quiz, having specific data on what people wanted, was recommending that book far less often than it was recommending books I rarely bother to talk about. I’ll admit I got really excited about this. So many of my books are languishing for want of the reader for whom that book in particular is going to be The Book. The idea that those stories might reach people who are predisposed to want them is so good.

THE QUIZ: FEATURE CREEP

But see, I wasn’t done yet. Because a book matching quiz isn’t something people talk about. Wouldn’t it be cool, I said, if it was an actual personality quiz, and you got a reader archetype? Back to the drawing board!

My first question was ‘how many personalities are we talking about?’ I asked both Claude and Grok to give me a sense of how many archetypes I could generate from my existing quiz, and the initial answers were appalling (thousands!). Using all the attributes to generate an archetype was definitely out of the question… which, then, should I use? Grok suggested between three and four was reasonable, and choosing three gave me a manageable eight archetypes. It was just a matter of deciding which attributes, which was, again, a question about what makes a reader a Jaguar reader, and further, what differentiates Jaguar readers from one another.

This process taught me that I really do understand my brand and my audience a lot better than I thought I did. It’s just that, like my work, my readers are eclectic, come from every spectrum of every axis of personality. I can’t market to “romance readers” or “cozy readers”; like my stories, my audience defies boxes! No wonder it’s so hard for us to find one another. The current marketing/algorithmic-matching setup does not work for people with nuanced tastes.

Anyway! Back to the archetypes. I chose wreckage, scope, and familiarity: how intense you like your stories, whether you like them to be personal or epic, and whether you like maximum alien or minimal. Then I generated endless ideas for names for each of the types, tossed out things, and recombined them in my own squishy human brain until I came up with the names for each archetype.

Let the feature creep commence!

  1. Having designed the archetypes, Claude and I started rewrites on the python script to assign the archetype. Because this function was added to the quiz after the book match-up, the archetype assignment and the book matching are done separately. This is good: you don’t get an archetype and then the archetype’s favorite books; you get an archetype, and the book matches you to your entire quiz answers. This means that different readers can get the same archetype but different recommended books based on their quiz answers. That’s exactly how it should work: you might share your archetype with others, but your quiz answers are more specific.
  2. I spent almost three days doing the art! It interested me to discover that the drawing part took as long as the basic coding for the initial quiz. But my art is part of what I sell, and I love my own art and the act of making it, so no regrets. I had a ton of fun coming up with variations of the librarian! And I love the idea of her transforming into a different version of herself based on your answers.
  3. Now that the quiz was fun-shaped, I wanted people to be able to share their results, so I spent almost a day and a half on social share. Social share, it turns out, is complicated, buggy, and annoying. “Why is X not showing a graphic?” “Why is Facebook working on desktop but not mobile?” “Do we even pinterest anymore, bro.” Mobile anything is awful. UI developers must not have hair left.
  4. This was the point where I said ‘um, I need to learn software management’, so I had Claude talk me through learning to use github. This was a big help, because I could use github from Claude’s console to pull up old versions of code that worked after something exploded. Things frequently exploded! Bonus: I now have a github, which makes me look like a Real Developer. I am amused.

THE QUIZ: FEATURE EXPLOSION

Once social share was working, I felt like I was at the point of finishing touches:

  1. "Can we get a ‘tell me more’ button that explains why the librarian is recommending this specific book?” led to adding an entire new database table with flavor text that I wrote for the librarian to tell you. This part I did myself, because I wanted to really convey important things about the book based on the quiz questions and the librarian’s personality.
  2. “Can we rework the landing page for the social share to display more information? Okay, can we get it to display the top-matched book for the sharing user? Okay, can we allow them to buy it? Okay, but can we make the ‘take this quiz!’ button bigger?”
  3. “Can we pass a coupon in the buy links so that people get 10% off if they buy the books recommended by the quiz?”
  4. “Can we get readers to exclude books they’ve already read?”
  5. “Wait, we need an error message for when they exclude every book!”
  6. “I’m not in love with the colors of this button. Or that button. Or the placement of this item. Or the size of this graphic. Wait, can we get the top match to have a different colored card? And a banner? The banner’s not centered on the card. It’s still not centered on the card. IT’S STILL NOT—look, okay, good enough. Let’s just move on.”

But as I was about to rest on my laurels, I thought: “My shopify store isn’t built around the quiz, and it really should be.”

This is my “…” look.

So I embarked on that:

  1. “Claude, Grok, how do I redesign my shopify store to take advance of the quiz?”
  2. “Claude, redesign my shopify front page to make the book quiz more obvious. Yes, create a visual mock-up.”
  3. “Claude, how should I tag my products now? Wait, I should add the attributes for ALL my books, even the ones not appropriate for new readers? Oh, I see, that means I could make a ‘gentle reads’ category (“wreckage attribute is less than 3”) or ‘page-turners’ (“pacing is 8 or greater”). Nice!”
  4. “Claude, how should I arrange my collections? My collections page? UGH CLAUDE IT’S SO HARD TO FIND THINGS HELP”
  5. “Grok, please fix Claude’s code.” “Oops, I called you Claude.” “Sorry, didn’t mean to call you Grok.”
  6. “Claude, Grok, please take a break while I draw a ton more graphics for categories and collections.”
  7. “Claude, my fans want to buy my art, how do I integrate art more gracefully?”
  8. “Claude, I now need buttons on the quiz that lead back to the store because people are going to the quiz from the store and might want to jump back.”

My shopify store is now about 90% of the way there. It’s easy to find the quiz so you can take it, there are archetype collections, and the collections page sorts things reasonably. If you click on specific series, they’re actually in order! There’s even art and merch, which means I should (hopefully) be able to retire my zazzle store soon. I’m much happier with it… I feel like my prior attempt at wrangling my very varied product base was as messy as my thinking about how to recommend my books. Structuring it around the quiz makes so much more sense.

FINAL (?) THOUGHTS

I went on to use Claude and Grok to vibe-code my author page, which has random mangos, a color theme that changes based on the time of day, and floating alien glyphs, and I might talk about that (but later, there are a couple more things I want to add to it). But I feel like the quiz part is behaving the way I want, and the shopify store integrates and refers to it, and this is finally solving a business problem that was a serious pain for me for years. Now, when people say “I want to buy one of your books, what should I get,” I say, “Go take the quiz! It’s at mcahogarth.org/bookrec.” Problem solved… and in a fun way!

Do I have some future features planned for the quiz? I do! I can conceivably integrate it with Shopify’s user account system so that it can track your prior quiz results and your purchases, and tell you which series you haven’t finished reading, for instance. I’d love for the ‘tell me more’ page to mention the other books in the series. I definitely want to do shirts and stickers of the archetypes because I love how the graphics turned out. Having analytics so I can see how many people are Scarred Titans versus Cheerful Neighbors… that would be fun, and not just for me…! Imagine, “You and 402 other people are Cheerful Neighbors… how good it is to have company to share tea with!” or “Only 9% of Jaguar Readers are Scarred Titans… you are in rarified company, defending the galaxy.”

The weirdest part…? I have remembered that coding stuff like this is what I used to do as a hobby. It’s fun for me to design this kind of thing and watch it come together. I love coming up with weird and tiny details that delight. The last time I felt this happy about my website was back in the stardancer.org days… and in fact, several times in the past week, when I’ve decided to check the site, I've started typing 'stardancer’ rather than ‘mcahogarth’, as if some part of me has warped back in time to the years when I was tinkering with my own backend, breaking things that Engineer Sam had to fix.

AI gave this back to me. I love it.

So, long story short: go take the quiz, if you haven’t already, and look around the shopify store. 🧡

Also, if you liked this post, consider subscribing to my locals or patreon!

 

 

 

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