studiomcah
Art • Books • Writing
Gamelit 34
someone who changed my life
December 20, 2024

            It had been so long since Ray had made his own breakfast that slouching out of bed and over to the kitchen to use it for something other than reheating leftovers felt strange. Good, though. He remembered, vaguely, that he’d once enjoyed scrambling his own eggs because no one else made them the way he preferred. And if there was a poptart in the toaster instead of sourdough bread, half a homemade breakfast was better than none, right?

            He was nearly done cooking when it occurred to him to blame this behavior on the hours spent editing PonyMom’s Fantasy Kitchen takes. There were only so many mouthwatering cooking videos you could consume before you started imagining yourself with a pan and a spatula, also winning at life. Looking at the meal once it was on the table, he conceded this was maybe not as much winning as PonyMom was capable of, but it was still satisfying. As he sat, he reached for his phone, and stopped. Seriously, couldn’t he enjoy eating without having to clock in? Because there was no using the phone without dealing with the notifications, and that would inevitably lead him to the channel metrics, and he’d be telling himself that it was entertainment to do a deep dive into the stats. But it was entertainment that made him want to move to the computer and work, and then how could he enjoy the poptart at its maximum heat-to-gooeyness perfection? Especially paired with the coffee? One bite eggs, one bite poptart, swallow of coffee. Ah, yes. Life was good. Pony Mom had a point about slowing down.

            That resolution lasted halfway through the meal, but at least it was a half a meal he enjoyed at a more measured pace, right? Better than nothing. He opened his channel aggregation page and saw the big percentage leap first, and it wasn’t Killz and Goldie. Overnight, Pony and Nerd had jumped from an average of 800 views to 20,000. The comments sections were on fire, too: 400% activity compared to Killz’s 221%. The latter was more impressive because Killz’s subscriber and watcher bases were so much larger; 221% of a giant pie was a lot more pie. But the ratio on the nerd channel suggested the people who were showing up were invested. Seriously. The video drop with the wingling adoption was doing serious numbers, ticking up while he watched. Everyone loved a cuddly pet; in fact, he whipped up a quick poll and pinned it to the top of the channel: “Should Omen Galaxica release wingling plushes? (Tell us what color you’d buy!)”

            Was there any high like watching engagement shoot up in realtime like that? He chewed through the remains of his poptart while enjoying the glow. While the numbers jumped up like a rabbit on meth, he checked the smart agent that trolled the comment sections for useful data, and it had floated one thread to the top: ‘hey can we get more wizard guy’ ‘yeah, id watch an entire video of just wizard guy doing fantasy city civil engineering’ ‘wicked yeah more wizard guy’

            “Nice,” Ray said to the phone. “The family channel is complete. We have collected them all.” He opened his email client and shot off a message to Boy Wonder, asking him to pump his dad for more content. While he had the client open, he had another message from Seong, with attachments… video to splice together, now that their beta teams were interacting. Excellent.

            If he’d been asked to bet on whether the pathetic duo would pan out in any way, he would have laughed… laughed, and apparently been wrong. And if he’d also bet on whether he’d spend the entire morning choosing to work on Teen Bard’s boutique channel over Killz’s enormo enterprise… he couldn’t believe he was prioritizing Boy Wonder. He couldn’t believe he was enjoying it.

            He was enjoying it. God, how weird was that?

 

***

 

            After Mom went to bed, Nick stayed up talking with Carl and directing the centaurs as they hauled blocks to one building or the next. It had hurt to see Donner’s Beck a ruin, but there was something satisfying about putting it back together to his plan, and not the game’s. If he decided the blacksmith should be on the opposite end of the lane, or if he thought there should be two inns, or no inns, or higher buildings or buildings that were half underground… the limit was literally what he could imagine, and what Galatea was able to simulate. And Galatea could simulate anything, as long as it wasn’t gamebreaking. There was a lot of room for creativity—for making his mark—between the game as he’d always played it and gamebreaking changes. Adding the centaurs alone had changed things, and consulting them on what they needed had been a lot of fun. Mostly they wanted taller and wider doors, and that led to two-story buildings where the first story was for mixed species and the top floor for species with normal feet. “Maybe the inn should have one of those cool interior balconies,” Nick told Carl. “You know, you could leave your inn room and look over it into the taproom. Or hey, it could even have one of those cool courtyards and be open in the middle, like a Roman villa!”

            “Sure, dude,” Carl said. “That sounds sweet. As long as there’s a stable for my destrier. And hey, if you’re here, maybe there should be a treehouse for the deer-friends.”

            Carl’s derpiness was definitely made up for in commitment to being a hero. A hero who remembered that the Cervinaethi were deer-friends and not deerfolk and definitely not ‘deers’ or ‘furries.’ Nick could get behind that.

            He woke up to an ambrosial smell that hadn’t wafted up to his room in way too long. He didn’t even stop to brush his teeth before showing up downstairs, where his dad was overseeing one of his rare Spanish tortillas. Mom was stirring hot chocolate, the kind that his grandmother sent them now and then that produced something ‘like what they serve in Madrid, or at least, close enough.’ Seeing his face, his mom laughed. “Best Saturday ever?”

            “Potato and egg goodness, plus hot chocolate? Yes? Obviously?”

            “It’ll be out soon,” his dad said.

            “And meanwhile you can tell me what this random email was about,” Mom said. “Something about your request and someone in a hospital?”

            “What? Wait, I’ll be right back!” Nick dashed back up the stairs and scooped up his phone. He did in fact have email worth opening, a rare occurrence… but the first one wasn’t about a request and someone in a hospital. He read his channel manager’s email and pumped a fist in the air. They wanted more of his dad’s crazy stuff? Perfect!

            The second email was in fact copied to his mom, and came not from an official Omen account, but from someone’s individual domain, [email protected].

Nick,

Omen Galaxica can’t be involved, but I thought your idea was a good one. I’ve bought a KeepinTouch and put it in Jonah’s room. Right now it’s set to play the soundtracks from the game, but you can use the attached credentials to login and send video/audio.

I’m going to be watching everything that comes through, so don’t make me regret it!

Thanks for your request.

            His first instinct, to login immediately and let Galatea know, was derailed by the smell of breakfast. He took the stairs three at a time and was at his seat before his father had finished pulling the tortilla out. “So you got that too. I guess that makes sense, we’re registered as a team, and you signed the paperwork….”

            “What exactly did you get yourself into?” Dad asked.

            Thinking of what had happened to Omen Galaxica’s creator put a pall on his appetite. Briefly. He took the cup of hot chocolate from his mom and had a healthy gulp, one he only slightly regretted when it burned his tongue. “You know the game was made by a couple of guys, and one of them was the one who had most of the big ideas for the story.”

            “Right,” Dad said. “Jonah Slater. He was in that motorcycle accident, wasn’t he? It was before the last expansion drop.”

            He should probably stop being surprised that his dad apparently knew this much about the game. “Yes. He’s been in a coma, and he hasn’t woken up yet.”

            “Oh no!” his mother said. “How old is he?”

            “Thirties, I thought,” Dad said. “Maybe late twenties?”

            “That poor boy.”

            Of course, now that Nick had gotten to this point, he realized that if he wasn’t careful, he’d reveal more about Galatea than Galatea would probably have recommended. Or wanted. He could say that about the AI, couldn’t he? Didn’t her programming constitute desires, even if they were artificially imposed? “I thought it would be nice if we could tell him how much the game means to us, because I heard that people in comas can still hear things. So I asked if they would let us send a speaker into his room so we could do that….”

            “Oh, I see,” Mom said. “That’s what that was about. They bought one and put it in his room for you, so you can use it. Like the ones your aunt sent—” She paused, looking chagrined. “That we never use because no one…”

            “Likes my sister,” Dad said, kissing the top of her head as he set the tortilla down. “Don’t worry, my love, no one’s going to argue with you. Least of all me.”

            “So I’m going to talk to him,” Nick finished. “So that he has something to listen to sometimes.” As his father put a slice of the tortilla on his plate, he said, “You know… you two should too.”

            “Us?” Mom asked, surprised.

            “Sure. Dad could read to him the way he used to read to me, before bed. That was great. And mom, you could sing—”

            “Me!”

            “Yeah?” He glanced at her surprised. “Like when we were in the car? And you put on all that music and we sang along? And the lullabies before bed…” He trailed off, thinking of what Galatea had told him. “Jonah’s parents don’t seem like very nice people. He wasn’t lucky. It might be nice for him to have some parents acting like they should. He’s… well. He’s stuck in his own head, in a bed, with no one to remember him. That seems really sad. Especially when so many people are enjoying something he made…” He stopped, then stabbed a forkful of potatoes and egg. “I know lots of people are unlucky. But this is a chance for me to help someone who changed my life.”

            “Then of course you should do it,” Dad said. “And we’ll be happy to contribute.”

            “Maybe my singing will be so alarming he’ll wake up immediately to make it stop?”

            Nick laughed. “Good one, Mom. But you’re not fooling me or Dad.”

            “Oh?”

            “He’s caught on that you’re fishing for compliments by acting modest,” Dad said.

            “I’d caught on to that years ago,” Nick added. “It’s not like you try to hide it.”

            “True,” Mom said.

            “Also, Dad, my channel manager wants more content from you. Solo content! About city planning in medieval times, or whatever you want to talk about. People just want to listen to you talk.”

            It was his mother’s turn to laugh. “Didn’t think you’d get famous?”

            “I’m not famous,” Dad said. “A channel with a hundred subscribers isn’t fame. But I’d be happy to record a few lectures. If they seriously want lectures.”

            “They seriously want lectures. You know how the internet is with deep dives into niche interests.”

            His father chuckled. “Yes… I guess I do. All right.”

            “Perfect,” Nick said. “Can I have seconds?”

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Welcome Back, to the Stardancer Gallery

I have a gallery again.

It would be so easy to say ‘I can’t tell you what that means to me’ but part of my thing is that I do tell you what things mean to me, all the time, so I’m going to try.

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Let me start by telling you about the original Stardancer gallery, which many of you remember and an even larger number of you weren’t around for. Because in an era before big sites like DeviantArt, when personal websites were still linked by webrings and coded by hand, I had a website that used a database to show visitors not only the latest thing I’d uploaded, but the comments left by dozens of people on that offering.

It’s so hard to explain how crazy that was. There were no Wordpress packages, no visual editors, no gallery plugins. There was no user validation by Google or Apple, no social media, no expectation of interaction or community. Everything had to be coded by hand and installed by someone who wasn’t afraid of a UNIX command line. And from 1999 until mid-2012, the Stardancer gallery served, on average, 5 pieces of art a week, with over 175,000 words of commentary from me, for thirteen years, and those pieces accrued between 5 to 40 comments from visitors. When it finally went down, there were 2906 distinct pieces of art in the database, and of those 253 had multiple versions—I uploaded them as I worked on them with commentary on each stage. Some of those pieces had 9-10+ stages where you could watch me wrestling with them (complete with titles like “OMG Ugly Stage” and “needs a background”).

For context, 175,000 words is probably about 700 tightly-packed paperback pages. That’s how much commentary I wrote. And that’s not including 1993 keywords and 60 projects I was tagging everything with.

I wanted that gallery so I could share my art with all of you. But it was also functioning as an organizational layer for me. When I was trying to remember a story, a character name, a forgotten piece of art I wanted to finish, I would search my own gallery. It was my backup brain, and my sketchbook index, and it kept me focused. It even had basic project management tools, since each of those 60 projects had a status: complete, in progress, ongoing, on hold, trunked.

The sunsetting of the original site was inevitable. You can’t run software with visions of enterprise-level functionality on a friend’s personal computer. But I was in the very unusual position of having started out with a system custom-built for my idiosyncrasies, and nothing on the market was good enough. I kept poking and not loving any of my choices. Host all my artwork on some aggregate gallery site or shoehorn it into a cookie-cutter Content Management System? No thank you. So I never replaced Stardancer, and for fourteen years, I’ve been running without that second-brain infrastructure.

And now, I have it again.

Now I can think ‘what was that thing I said about that one character in that one sketchbook?’ and search and find it. I can mutter, “Where is all the Ai-Naidari language work” and pull up the notebook. I can think ‘Didn’t I want to finish that picture of the dala fox? What sketchbook is that in?’ and I know.

I know!

And unlike the first gallery, this one can have everything in every sketchbook. Because I streamlined the parts I hate (editing, watermarking, uploading, making thumbnails, importing into the database) and left myself only the parts I enjoy (writing comments and tagging). And while some of the original Stardancer’s features aren’t online yet, like multiple versions of the same image, they’re designed and in the queue… and this version can have cool new features, like user favorites, and requests from users who love something and want me to finish it.

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Right now the new gallery has 2644 images across the 42 sketchbooks (and one unfinished language notebook) I’ve scanned and uploaded… of the nearly 200 I have. I’m only just getting started. I am crazy excited, I can’t even tell you.

I have a gallery again.

I have a gallery again!

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What can I say? Welcome home, my friends. Welcome back!

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Early Access is Now Live! Come Join Us on Ke Bakil!
Make your own Jokka clan and watch it thrive!

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December 10, 2025
The Jaguar Reads an AI-Written Book

Over the weekend, I read a book that I’m 95% sure was AI-written. I’ve listened to people talk about how it’s done: you brainstorm characters and a plot with AI, prompt it for an outline, adjust the outline, prompt it to create character and setting guides… attach all that to your project, then tell it to write the first chapter. You adjust the chapter, add it to the project, then tell it to write the second, etc, until you get to the end. Then you tidy the whole thing and publish. The "rapid release" people either love this (because you can release a book in a day or two and do it again immediately) or hate it (because they can't keep up with people using this strategy with unaugmented human brains). But it's clearly a thing that's happening, and few people who do it are admitting it.

Reasons I thought this book was AI:

  • Every chapter ends with a weird wrap-up style: “Main Character had accomplished XY and Z. Tomorrow, he’d have to tackle AB and C. But for today: job well done.” And I do mean every chapter. At first I thought ‘maybe the author’s serializing this and needs to remind readers about what just happened” but when it’s doing overviews of what happens in the chapter at the end, it’s weird.

  • All the places give you a “movie set” feeling of being wooden facades. Like… ‘there’s a baker. He makes bread.’ Nothing else. Only bread is mentioned. Not even the kind of bread. There’s a weird lack of specificity to everything. The baker always has a ‘basket of bread’. Or occasionally, a basket of pastries. (No word on what kind.) Likewise, there is a blacksmith. We know he can make hammers, because the apprentice made one. But that’s it. No idea what else the blacksmith does for the town.

  • Then there’s suddenly spates of specificity. “I have these exotic spices that sound like a list generated for game inventory.” These specific things are never mentioned again.

  • The technobabble sounds like stuff Claude gives me as placeholders. “Mana structure efficiency at 45%. Suboptimal but holding.”

  • Similarly there are some odd verbal tics that repeat throughout the text, and they are suspiciously clever ones, like analogies that rely on an abstract and a concrete noun: “It tasted of cinnamon and regret.” “The tavern smelled of old ale and worry.” Even the title uses this phrasing. Authors can have verbal tics, of course, but I associate a lot of these with AI.

  • The supporting characters do the exact same things, as if they’re programmed NPCs. Celebrating an achievement? ‘We go to this exact same tavern, every time.’  Checking up on the main character? “You need food and rest.” (I can’t count the number of times this character suggested everyone have food and rest, in exactly those words. No variation.)

  • This one is hard to describe, but the characters have believable backstories that suggest depth, but these backstories do not inform how they interact with other characters. The nemesis becomes the protagonist’s friend based on a single interaction, and this backstory, while mentioned in subsequent chapters, causes no friction, for instance. It’s as if every character was created in isolation and the author can’t figure out how to make them combine.

Could this all be the work of an inexperienced author? Sure. But that tells me that we have trained AI to work off story templates that inexperienced authors also rely on. If you have decades of “write to market” advice that treat books as widgets with “story beats” and “character arcs” that can be abstracted into formulas, you shouldn’t be surprised when books start to sound alike. They already were, prior to AI, it’s just that AI makes creating them faster.

Did people like the AI-generated book? Well, it has over a hundred reviews and a 4.5 star average rating, and even on Goodreads, it's doing well, so the answer is: “Yes, it’s good enough.” Did the author confess to AI-writing it? No. Maybe he didn’t! But my guess is that he did.

Do I care about this? Not really. I didn’t enjoy reading it because it gave me the same feeling social media scrolling does, that I’ve eaten empty calorie food that’s programming my brain to repeat basic and uncreative patterns. But humans have always riffed off bad things to make better things and I can totally see someone using AI to generate a draft like this, and then completely overhauling it into something enjoyable.

I don’t write like this because I’m weird. I am constitutionally incapable of the ‘write to market’ formulaic approach (which is why I’m not on a yacht sailing to my property on the Riviera). Even my attempts at romance and litrpg novels veer off into directions that make them too odd (yes, I managed to make both these genres unprofitable). But I’m one of those capital-A artists that indies like to sneer at, and I’m happy that way. I can’t even do that right: I’m an Arteeste who doesn’t care if you’re using AI!

My audience was always going to be the weirdos who want to learn my conlangs and vanish into alien cultures so completely they leave no traces. That's you all! You're awesome.

But yeah, AI-written books. You might have already read one and not realized it. The name of this one, if you want to check it out, is below, and yes I paywalled it because I don't want to bother with drama.

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