studiomcah
Art • Books • Writing
Son of Silvercon 2023
A Gem in Vegas
October 31, 2023
post photo preview

        In mid-October I headed to the Las Vegas suburb of Henderson for the inaugural Son of Silvercon, to which Kevin the Chief Wombat kindly invited me as Guest of Honor. I was one of three guests, the other two being author Sarah Hoyt and her husband Dan; and Baen author and editor DJ Butler, neither of whom I’ve met in person. But I was attending the con to meet in person many people whom I’ve known online for years: not just Sarah, but Kevin (a long time fan, like “I know you from Livejournal” long time), Caitlin “Mama Bunny” Walsh (ditto), author Melissa McShane and her husband, whose work I’ve been enjoying for years, and Holly, mistress of sunshine, who can always be counted on for an optimism check that feels like a reality check (and isn’t that its own form of magic).

        Interestingly, other than these people I don’t think any of the attendees had heard of me! But we fixed that by the end of the weekend because at under thirty people I was able to learn everyone’s name and a little bit of their stories, and they were all very cool people. I can’t think of a time I thought ‘I need to find an excuse to get away from this person.’ Every conversation was engaging. Every person was interesting. The photographer said in a blog comment that it was like a family reunion with none of the bad people and that’s exactly how it felt to me. Well, and like a constant party where no one is boring and there is always a fascinating topic as you drift from group to group. You also never got lost looking for people: since the con was so small we had only two rooms, the single meeting room for panels and the con suite (which was, bar none, the most well stocked con suite I’ve been in given the size of the con, and which would have shamed the con suite at many, many larger ones: well done, Jolie!). Our dealer’s room was the con suite bedroom, which worked out magnificently: people would come eat, talk, and browse the offerings, and you could continue to chat while perusing the things for sale. A white bedspread makes a nice backdrop for most science fiction books, which are colorful.

        Holly brought most of her family which meant we had teens and littles under foot (or towering overhead, but then everyone is taller than me!), and that was awesome too. At no point did I feel the group ever made this feel unnatural, and after too many cons that insist that only adults are eligible for attendance it was refreshing.

Panels and Events

        We had a laid back con schedule with one panel at a time and yet we never stuck to the schedule…which is not to say that the topics weren’t discussed, it was just ad hoc. Or someone would say “I wish we’d gotten to x” and then we discussed it right there! I think the only event on the schedule that happened when it was supposed to was the Baen Traveling Roadshow. But I think the con benefited by its informality; corralling people who are already having fun through some artificially rigid conception of the timeblock would have broken the flow of the party atmosphere.

         The size of the con also made for lots of one-on-one discussions (or close to them), and one of my favorite memories was DJ (wearing his Baen editor hat) talking to aspiring author Dan about the routes to publication in a way both candid about the many pitfalls, and encouraging about the possibilities. If anyone had talked to Aspiring Me in that way, back in the 2000s, I would have been over the moon. (Admittedly, I also liked this moment because it made me realize I am happy with my self-publishing choices, and I am now certain that unless some extraordinary situation happened, I would not prefer to go the traditional publishing route. There is something relaxing about being content with how things have fallen out.)

         There was a lot of talk about writing, inevitably (and reading)… we had some live music noodling, courtesy of DJ and his guitar, and some art demos (I even taught someone how to draw a straight line!), and I think the kids did some dancing and swimming, so as cons went it had a broad spectrum of represented arts.

         This is also where I say that I got to go out for surprisingly delicious sushi and hot tea, and it was so good that we had it again the following day as take-out. I did not expect good sushi in the desert, but if you are next to a major resort city that gets its restaurant supplies flown in all the time, then… you will be surprised what is available.

Games

        One of the things on the schedule was gaming at night, and surprisingly this we did do, because apparently geeks bond and network over games the way my old coworkers did over alcohol in bars. Only four of us decided to embark on the herculean task of learning Twilight Imperium from DJ and Dan (owner of the game), however, which is a lot like a far more complex version of Cosmic Encounter. Merely setting up the game took a couple of hours, and took up two tables shoved together. As usual, when I play a new game, I decide to play the most interesting story, rather than attempting to win, and I got my wish when my cat aliens were the first to set foot on the ancient ruined planet of Mekatol Rex, and open the Galactic Senate… while simultaneously losing their three homeworlds to Melissa, whose fire-being aliens conquered them with her giant death star thing. My only regret there was that she didn’t also supernova the sun, because then I could have played tragic ballads about the forever-loss of our feline birthworlds.

         Despite this I was somehow the holder of the most winning points when we halted the game, mostly because Sintra decided to nobly support me in my aims (I gave him a planet as a thank you). My reign as cat empress would have ended the next turn because every single other player, other than Lee’s peripatetic void aliens, was poised to take the ancient planet away from me. But I would still have been the first to the central planet, and no one could take that away from our ghosts!

         Possibly the funniest part of the whole venture was that every time someone did something, DJ would shake his head regretfully and say, “So aggressive. We should get him/her.” About all of us, doing even the most innocuous of things! We spent the rest of the weekend shaking our heads sadly and saying “we should get him” at random intervals.

         Which is, of course, the kind of thing gaming is supposed to inspire.

         I will also kindly refrain from reminding Dan of the fate of his fish alien fleet. It was nothing personal. I just needed to bravely stand in battle, and either fall or triumph, and he happened to be the one who showed up to test me. Can you win against cat aliens who are not afraid to die? Only the players know the story. But it was a valiant battle, and will be sung of when the cat-aliens are a memory in the ruins of Mekatol Rex.

         Thank you, Dan and DJ, for teaching us the game, it was fantastic.

Sales

         Knowing the con membership was likely to be small I did not bring much to sell and, as I said, almost no one there had heard of me. Despite that, I sold 75% of what I brought, which was much better than I expected. Sarah brought a bunch of books that also got sold, and DJ had some Baen books to give away from the roadshow; Caitlin sold some Mama Bunny books, and several people had business cards they left out that wandered off. So the dealer’s room, which I refuse to call the dealer’s bedroom, did a brisk business, and I’m glad I brought stuff to peddle!

 

Vibe Check

         Like most modern SF/F cons, SoS was politically homogenous; unless you’re attending an enormous media con, which is more like a giant shopping mall that wants to part you from your dollars in exchange for events and merchandise, then every single con you go to is going to have a specific political slant. I felt safe and enjoyed the vibe, but in my experience, conservatives reading my wild stuff full of trigendered aliens, confused space elves, and collectivist cat cultures are more likely to shrug and say “not my thing” than they are to try to run me out on a rail. There are conservatives who’d pillory me for the stuff I write, but they seem to be fewer than the liberals who would pillory me for the things I believe. I’m not thrilled that things have fallen out this way, while recognizing it as an inevitable backlash to the way sf/f cons have been run for years as “neutral environments” that were nothing of the sort.

         One day I hope we reach a place where people of truly diverse intellectual viewpoints can hang out together and talk about art and writing, but I don’t know how to get there from here. I will say that this con was racially and ethnically diverse despite its small size, and that more people there were bilingual (or multilingual) than I think I’ve seen in a long time. Also, an age diversity spread, from 9 years old to people who didn’t want to talk about their ages, and several veterans, including John the Cheerful Ex-Interrogator, whose stories were fantastic. Also, he brought vitamin-C drops. Smart man.

 

Overall

         The Vegas climate was gorgeous, and the vegetation fascinating, and I enjoyed sitting outside or walking laps around the hotel for exercise. We also saw the eclipse, something I photographed over my shoulder, and that felt appropriate for a science fiction convention (and the first of its name! Auspicious!). I met many really cool people, and got to listen to them talk about the things that interested them, which… probably made me a less useful Guest of Honor, since I had to keep reminding myself to talk about myself. I got to meet people I’d been hoping to, and they were all as lovely as I hoped they would be: Chief Wombat was a gracious host, Sarah was indeed the Big Sister I anticipated (and shook me a few times by the scruff of the neck in a useful way to prove it!), Caitlin and Holly were a great delight, and Melissa was just as I imagined she’d be from her work. Also her husband’s hair literally could flow in the wind. Very impressive. All the strangers who came mostly to support Sarah were cool and funny, or shy and interesting, or full of dreams I recognized and hope they fulfill gloriously. The eldest of us were holding significant cultural/fandom memory; the youngest of us were starry-eyed and bushy-tailed and ready for adventure. It was truly a lovely time.

         I’m hearing that next year’s GoH will be a major headliner, and that they hope to attract at least 250 people so they can break even. They’re planning a fiction contest for teens that will hand out awards at the con, plus art show, science track, and a bigger dealer’s room, and they want to keep the family-friendly vibe going. I’m hoping they net one of their two prospective guests and I get to go again! If I do, this time I’ll bring my own teen. She can marvel in person at the ridiculous sphere-thingy.

         If any of this seems like your jam, keep an eye on https://fission-chan.org/ for registration info. The target next year is in July, so that parents don’t have to worry about school dates, and because no one goes to Vegas in July… but what do we care, it’s not like we’re going outside. *grin*

         Thanks, Kevin, for a great first year event! May there be many more!

community logo
Join the studiomcah Community
To read more articles like this, sign up and join my community today
5
What else you may like…
Videos
Podcasts
Posts
Articles
October 27, 2021
Cursive Practice Video, to Relax

Or at least, I intend it to be relaxing. Hopefully it delivers.
4:22 minutes

Materials:

00:04:27
Overview of the First Oil Paint Experiment

In which I talk about the paper, the paint, and the experience of oils versus gouache. Fun stuff, will do more.

Thank you Locals supporters! Your contribution to my art war chest here is what's powering these experiments and videos. For now I'm keeping them public but I may start doing some subscriber-only videos if you all are interested.💖

00:03:35
Video Review: Oil Painting Papers

My initial review on receipt of the three oil paper products I ordered: the Canson pad, the Rembrandt block, and the Arches single sheets.

00:01:54
November 09, 2021
Alysha Misc

Thanks for your comments yesterday on the business post... all very provocative, in a good way. I'll try to respond to all of them today.

Some Alysha misc now, since I'm gearing up for the results of the Kickstarter!

Petrov is giving away coupon codes for every book in the Alysha series (and has some leftover coupons for Marda and the business book). You can pick those up here (and please do! The books are bought already, someone should use them!) https://twitter.com/PetrovNeutrino/status/1457344535843987461

Our own @JudasComplex sent along a sample of the Faith in the Service audiobook, which I've attached for your delight! I... haven't had a chance to listen to it. Don't ask me about my past week and a half or so. Putting it here will guarantee I get to it.

After hearing the amused comments during the livestream, I went ahead and added all the ship type illustrations I have inked from the 90s to the wiki. Glory in the rampant adorableness of their anthropomorphic stylings! See those ...

Alysha Misc
The Jaguar's Heart 7: We Are Not a Monolith

A little comedy today, at least in the link. Transcript follows.


Hi, all. Welcome to this episode of The Jaguar’s Heart.

A while back I was introduced to a comedy sketch about Cuban coffee by a Mexican comedian, Gabriel Iglesias. ( The sketch begins with him greeting all his fellow Latinos and then backing up to say ‘but we’re all different, aren’t we’ which is a segue into a demonstration of how different Hispanics speak Spanish.

It is hilarious. First, because I am a Spanish speaker and a linguistics hobbyist, and his portrayal of various accents resonated with my experiences in trying to make sense of them myself… Not always easy, since from culture to culture, slang and accent are often totally different (and sometimes grammar! Spaniards use a grammatical construct that has died out in many other Spanish-speaking countries, the plural “you.”)

I also loved it because the Cuban coffee part is real. I grew up with Cubans. I know how we are....

The Jaguar's Heart 7: We Are Not a Monolith
The Jaguar's Heart 6: Hatespeech

One of the most common things I hear (and say) right now is "the asymmetry is the story." Here's one about how none of us are innocent of the sins we hate in others.


Hi, all. Welcome to this week’s episode of The Jaguar’s Heart.

It’s been weeks since the Baen’s Bar incident and I’m still thinking about it... because the longer I do, the more I feel, overwhelmingly, that it’s obvious that the problem is deeper than “this forum was saying stuff that offended us.” We have to back up to the glaring fact that people on opposite sides no longer consider each other human. Nothing I say will matter because the people disagreeing with me don’t think I’m human. They have denied my humanity; they have not bothered to listen to my beliefs, or have fake-listened to them in that way that people do when they’re so ready to prove you wrong that they’re only using your speech to provide talking points for their own ideas.

We have forgotten how to listen.

Increasingly, we have also ...

The Jaguar's Heart 6: Hatespeech
Back in Time Tuesday: Manta Yay and Kickstarter!

First of all, the Kickstarter is live: get your crane, cat, and dog stickers! The campaign is running for only 10 days and it just launched!
https://www.kickstarter.com/projects/mcahogarth/the-crane-mafia-wants-you-to-buy-their-sticker?ref=9u659y

Second of all... today's 2011 watercolor painting is of one of my favorite sea creatures, the ray. And I picked it because the original is available via the Kickstarter.

Honestly sometimes you just want to draw something fun, and this was one of those times.

post photo preview
Meta-Conversation: Eyes Like The Sea

For the recent questions about plumbing, sanitation, and maintenance, I think that the right person to approach is ij Elidzin, the Regal who’s been the most forthcoming with us in former meta-conversations. So I go outside on a bright but brassy afternoon to await him, peering up at the sky where the gusts are pushing and tearing puffs of clouds and whispering of tropical disturbances. It’s warm and moist, but the wind is bracing.

When he arrives, I am glad to see him—my fondest memory of him is holding all his pewter-gray hair in my hands while deciding how to brush it—and that is the foremost memory of him until he comes closer, and I see not just him, but his ancestor, whom I also love a great deal and can see echoed forward in time into Jael Thoron: the same intellect, and the same self-control, and even some of the same mannerisms. My love for them both blends, and for several long heartbeats, I’m not sure who I’m looking at, or if it’s only one person or if I’m merely in love with a generation of people who ...

Wednesday Art Share: Qenain at the Door

https://mcahogarth.org/gallery/image/144-2026-07-TheFirstQenain

I picked this one out of the 3182 online because it's recent! Like "I drew this a few days ago" recent! It's really exciting to be using the gallery as a way to share things I'm working on now as well as things I've made in the past. Several people have favorited this one or hit the "finish this!" button so I am now contemplating that seriously!

Every other day I'm adding new art. Either old art I'm scanning or rescuing from the ancient stardancer archive, or new things I'm drawing now. It's good to be back in the saddle again with the art half of my business.🧡


Gallery is continuing to develop!

First, we now have an rss feed: https://mcahogarth.org/gallery/feed

Next, for those of you who want a more curated experience, we now have showcases! I curate those and write introductions. Go look at the first, about Kediil: https://mcahogarth.org/gallery/showcase/kediil

Then I added Elements, which link together sketches I ...

Welcome Back, to the Stardancer Gallery

I have a gallery again.

It would be so easy to say ‘I can’t tell you what that means to me’ but part of my thing is that I do tell you what things mean to me, all the time, so I’m going to try.

1.png?token-hash=nrdoS5Y9_iiERRaTSKIzbGY-dtyGgI1XVmNbDQ3zMz0%3D&token-time=1784764800
mcahogarth.org

Let me start by telling you about the original Stardancer gallery, which many of you remember and an even larger number of you weren’t around for. Because in an era before big sites like DeviantArt, when personal websites were still linked by webrings and coded by hand, I had a website that used a database to show visitors not only the latest thing I’d uploaded, but the comments left by dozens of people on that offering.

It’s so hard to explain how crazy that was. There were no Wordpress packages, no visual editors, no gallery plugins. There was no user validation by Google or Apple, no social media, no expectation of interaction or community. Everything had to be coded by hand and installed by someone who wasn’t afraid of a UNIX command line. And from 1999 until mid-2012, the Stardancer gallery served, on average, 5 pieces of art a week, with over 175,000 words of commentary from me, for thirteen years, and those pieces accrued between 5 to 40 comments from visitors. When it finally went down, there were 2906 distinct pieces of art in the database, and of those 253 had multiple versions—I uploaded them as I worked on them with commentary on each stage. Some of those pieces had 9-10+ stages where you could watch me wrestling with them (complete with titles like “OMG Ugly Stage” and “needs a background”).

For context, 175,000 words is probably about 700 tightly-packed paperback pages. That’s how much commentary I wrote. And that’s not including 1993 keywords and 60 projects I was tagging everything with.

I wanted that gallery so I could share my art with all of you. But it was also functioning as an organizational layer for me. When I was trying to remember a story, a character name, a forgotten piece of art I wanted to finish, I would search my own gallery. It was my backup brain, and my sketchbook index, and it kept me focused. It even had basic project management tools, since each of those 60 projects had a status: complete, in progress, ongoing, on hold, trunked.

The sunsetting of the original site was inevitable. You can’t run software with visions of enterprise-level functionality on a friend’s personal computer. But I was in the very unusual position of having started out with a system custom-built for my idiosyncrasies, and nothing on the market was good enough. I kept poking and not loving any of my choices. Host all my artwork on some aggregate gallery site or shoehorn it into a cookie-cutter Content Management System? No thank you. So I never replaced Stardancer, and for fourteen years, I’ve been running without that second-brain infrastructure.

And now, I have it again.

Now I can think ‘what was that thing I said about that one character in that one sketchbook?’ and search and find it. I can mutter, “Where is all the Ai-Naidari language work” and pull up the notebook. I can think ‘Didn’t I want to finish that picture of the dala fox? What sketchbook is that in?’ and I know.

I know!

And unlike the first gallery, this one can have everything in every sketchbook. Because I streamlined the parts I hate (editing, watermarking, uploading, making thumbnails, importing into the database) and left myself only the parts I enjoy (writing comments and tagging). And while some of the original Stardancer’s features aren’t online yet, like multiple versions of the same image, they’re designed and in the queue… and this version can have cool new features, like user favorites, and requests from users who love something and want me to finish it.

I’m so forgetful. I keep trying to explain to people how much of a cheesecloth my brain is with just about everything. Without rigorous documentation, lists, and notebooks, I would be completely useless. Art is one of those places I document my thoughts and keep myself pointed in the right direction. The fourteen years I didn’t have a gallery are literally gone in my brain, artistically. I have to dig up the physical books and thumb through them to remember anything about them. So I think you can imagine my relief that this is now available… not just for you to enjoy. But for my sake, to keep myself from vanishing because I am no longer observing myself.

Right now the new gallery has 2644 images across the 42 sketchbooks (and one unfinished language notebook) I’ve scanned and uploaded… of the nearly 200 I have. I’m only just getting started. I am crazy excited, I can’t even tell you.

I have a gallery again.

I have a gallery again!

1.png?token-hash=OFM2le6FWSQrplCYRdqaQS9LfErLYuCE_NXNeyl-5I0%3D&token-time=1784764800
mcahogarth.org

Anyway, this is the part where I talk about how you can enjoy the gallery:

Every subscription and purchase helps keep the gallery open and supports our free users, so thank you so much for chipping in!

What can I say? Welcome home, my friends. Welcome back!

Read full Article
Early Access is Now Live! Come Join Us on Ke Bakil!
Make your own Jokka clan and watch it thrive!

Good news, patrons! The beta for the JOKKA! game is now open! You, as paying patrons, now have early access!

Only for Supporters
To read the rest of this article and access other paid content, you must be a supporter
Read full Article
December 10, 2025
The Jaguar Reads an AI-Written Book

Over the weekend, I read a book that I’m 95% sure was AI-written. I’ve listened to people talk about how it’s done: you brainstorm characters and a plot with AI, prompt it for an outline, adjust the outline, prompt it to create character and setting guides… attach all that to your project, then tell it to write the first chapter. You adjust the chapter, add it to the project, then tell it to write the second, etc, until you get to the end. Then you tidy the whole thing and publish. The "rapid release" people either love this (because you can release a book in a day or two and do it again immediately) or hate it (because they can't keep up with people using this strategy with unaugmented human brains). But it's clearly a thing that's happening, and few people who do it are admitting it.

Reasons I thought this book was AI:

  • Every chapter ends with a weird wrap-up style: “Main Character had accomplished XY and Z. Tomorrow, he’d have to tackle AB and C. But for today: job well done.” And I do mean every chapter. At first I thought ‘maybe the author’s serializing this and needs to remind readers about what just happened” but when it’s doing overviews of what happens in the chapter at the end, it’s weird.

  • All the places give you a “movie set” feeling of being wooden facades. Like… ‘there’s a baker. He makes bread.’ Nothing else. Only bread is mentioned. Not even the kind of bread. There’s a weird lack of specificity to everything. The baker always has a ‘basket of bread’. Or occasionally, a basket of pastries. (No word on what kind.) Likewise, there is a blacksmith. We know he can make hammers, because the apprentice made one. But that’s it. No idea what else the blacksmith does for the town.

  • Then there’s suddenly spates of specificity. “I have these exotic spices that sound like a list generated for game inventory.” These specific things are never mentioned again.

  • The technobabble sounds like stuff Claude gives me as placeholders. “Mana structure efficiency at 45%. Suboptimal but holding.”

  • Similarly there are some odd verbal tics that repeat throughout the text, and they are suspiciously clever ones, like analogies that rely on an abstract and a concrete noun: “It tasted of cinnamon and regret.” “The tavern smelled of old ale and worry.” Even the title uses this phrasing. Authors can have verbal tics, of course, but I associate a lot of these with AI.

  • The supporting characters do the exact same things, as if they’re programmed NPCs. Celebrating an achievement? ‘We go to this exact same tavern, every time.’  Checking up on the main character? “You need food and rest.” (I can’t count the number of times this character suggested everyone have food and rest, in exactly those words. No variation.)

  • This one is hard to describe, but the characters have believable backstories that suggest depth, but these backstories do not inform how they interact with other characters. The nemesis becomes the protagonist’s friend based on a single interaction, and this backstory, while mentioned in subsequent chapters, causes no friction, for instance. It’s as if every character was created in isolation and the author can’t figure out how to make them combine.

Could this all be the work of an inexperienced author? Sure. But that tells me that we have trained AI to work off story templates that inexperienced authors also rely on. If you have decades of “write to market” advice that treat books as widgets with “story beats” and “character arcs” that can be abstracted into formulas, you shouldn’t be surprised when books start to sound alike. They already were, prior to AI, it’s just that AI makes creating them faster.

Did people like the AI-generated book? Well, it has over a hundred reviews and a 4.5 star average rating, and even on Goodreads, it's doing well, so the answer is: “Yes, it’s good enough.” Did the author confess to AI-writing it? No. Maybe he didn’t! But my guess is that he did.

Do I care about this? Not really. I didn’t enjoy reading it because it gave me the same feeling social media scrolling does, that I’ve eaten empty calorie food that’s programming my brain to repeat basic and uncreative patterns. But humans have always riffed off bad things to make better things and I can totally see someone using AI to generate a draft like this, and then completely overhauling it into something enjoyable.

I don’t write like this because I’m weird. I am constitutionally incapable of the ‘write to market’ formulaic approach (which is why I’m not on a yacht sailing to my property on the Riviera). Even my attempts at romance and litrpg novels veer off into directions that make them too odd (yes, I managed to make both these genres unprofitable). But I’m one of those capital-A artists that indies like to sneer at, and I’m happy that way. I can’t even do that right: I’m an Arteeste who doesn’t care if you’re using AI!

My audience was always going to be the weirdos who want to learn my conlangs and vanish into alien cultures so completely they leave no traces. That's you all! You're awesome.

But yeah, AI-written books. You might have already read one and not realized it. The name of this one, if you want to check it out, is below, and yes I paywalled it because I don't want to bother with drama.

Only for Supporters
To read the rest of this article and access other paid content, you must be a supporter
Read full Article
See More
Available on mobile and TV devices
google store google store app store app store
google store google store app tv store app tv store amazon store amazon store roku store roku store
Powered by Locals