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November 12, 2021
The Anatomy of a Successful Fiction Kickstarter

This post ran on Kickstarter on Wednesday and was locked to backers only, but we hit our stretch goal later that day and I feel that it's too good a post to leave locked forever. So I am reprinting it here (without modification) for people to consult in the future. :)


Good morning, backers! Today we are at a stunning 386% funded, with about 48 hours to go! We really are in the homestretch now, which makes it a good time to tell you why I don’t expect us to garner any more money!

And it has to do… with METRICS.

This is a super crunchy business post, which means only backers will get it. Thank you for backing, and if you want to share it so that other people will toss in a buck to read it, I think it'll be worth it.😊

LET'S TALK AUDIENCe

Most of you know I’ve completed 18 successful Kickstarters. Of those, 13 were fiction projects, and the remainder art. This distinction matters because few things are as apt to attract random backers as fiction projects. Most other crowdfunding campaigns are easy for browsers to evaluate: an art project can be gauged within a few seconds, a music/film project might require the commitment of a couple of minutes of listening/viewing to samples… projects based on nonfiction topics will draw people based on their topics, and product-based Kickstarters have natural audiences.

Fiction, though, is a very hard sell. If you’re an established author, you’re asking people to spend more than a few minutes reading samples to see if they’re interested; if you’re a new author, you’re asking people to trust that you’ll deliver. It is, in short, the wrong tool for attracting new backers, which is why most of the successful fiction Kickstarters you’ve heard of… you’ve heard of. Because their authors are well-known.

For this reason, I never target fiction campaigns at strangers. They’re intended not just for my readers, but for the super-patrons who are aware of crowdfunding at all, and are familiar and comfortable with being online. This isn’t even 10% of my readership… it’s more like 3-5%. And complete strangers who have never heard of me? I’m surprised if even 1 in a hundred backers turn out to be newbies.

So the first factor in gauging the potential success of a fiction Kickstarter is understanding your target audience: the subset of your existing fans who are likely to notice that you have something going on that’s not the latest release of a book at retail.

Next factor?

LET'S TALK SET-UP

Given that, the next most important factor is how you set up the project. Knowing what you want to achieve and how much time you have to spend on it are of paramount importance here. When I design one of these, here are the inputs to my thinking:

  • How long do I want to spend in fulfillment? As a single-person business that makes money by producing creative content, my main activity should be… producing creative content. I don’t want to spend months hip-deep in packages and spreadsheets. I choose each prize I offer based on how long it will take me to craft and send it.
  • What can I afford to offer? Every prize has to make back its Kickstarter cost before it can contribute to the cost of the content I’m trying to produce. By Kickstarter cost, I mean not just the monetary cost of producing the prize, but the time I spend researching it and fulfilling it. (This means that new prizes are more costly than ones I’ve done before because I need to do the legwork of figuring out whether people want them, how to produce them, how to price them, etc.)
  • How much money do I need? Yes, this is the last consideration. Does that sound strange? But it doesn’t matter how much you need if you don’t have the overhead to run the project. You have to know first what you can commit to the campaign before you can set your monetary target… and if you don’t have the resources to get you to the number you need, then… you can’t run the project.

Worth repeating: if you need $10,000 and you can only spare $2000 worth of time, money, and effort… then you can’t run the project. Your resources limit what you can accomplish.

But Jaguar! I hear you saying. Isn’t the point of Kickstarter to get the resources you don’t have?

And I say: the only thing a Kickstarter will deliver is money. Not all problems can be solved by money. Thinking that with enough of it you’ll be able to handle anything is naïve. That project that asked for $5000 and got $500,000? “Oh, I’ll just hire people to help me!” But have you tried to hire anyone? Do you know what’s involved? How will you pay them? What if they flake? Have you tried ordering $500,000 worth of anything? It’s not much like $5000 worth of anything. Do you even know where you’ll put all those pallets when they arrive at your house?

So many problems. If your goal is to continue to do the thing that matters to you (in my case, produce creative content), then don’t put yourself in a situation where your job becomes ‘I consult spreadsheets, pack things, and ship things for a living.’

Let’s return to this project, then, and have a look at some statistics.

JAGUAR PREDICTIONS

Let's haul out the charts!

My typical fiction Kickstarter (audience: existing super-patrons; resource allocation: low; target-to-fund: low) is designed to get me very close to exactly the amount I’m asking for (usually $1000-1500). I plan to sign and draw in 25 books. This takes me 5-15 days, which I feel is a reasonable time allocation, and if all 25 sell, I’ll hit the goal. I throw in a $1000 original art tier because it’s never a bad thing to aim high, and my original art tiers usually sell. The unlimited ebook tier usually brings me some gravy, but most of my money will be made on the autographed books because the Kickstarter is aimed at super-patrons who value collector’s items, and a $10 ebook is more of a casual browser prize.

Based on this design, I predict that most of my fiction Kickstarters will earn me about $2000ish, and I’ll wrap them up within a month. As you can see from the data, this is usually what happens. The average here is skewed a bit because of a few heavy-hitting projects (which I'll discuss under Wild Cards), but in general I have a sense of how many people to expect and how much they're going to contribute.

The best part of managing your time and expectations is that you can run multiple Kickstarters with little effort. Unlike the famous writer who ends up with the $100,000 Kickstarter they need a year and a half to manage, you can drop 2-4 Kickstarters a year if you wanted, and still have plenty of time to write.
averages

That brings us to this project! This time around I need more money, so I designed accordingly. The 25 autographed books that would usually have gotten me over the $1500 target, plus the $1000 original art tier that would probably go, would only get me to $2500. So I designed six more premium prizes, based on cameos: five $250 minor cameos, and one $1000 one. The latter was a gamble—I wasn’t sure it would fly—but I was fairly confident that the minor cameos would pick up some backers, and if all five of them went, I’d add another $1250 to the total, which gets me very close to my $4K target.

It’s important to remember, designing projects, that nothing is ever certain. People’s monetary situations change, and readers come and go… so there’s never a guarantee that because you sold out a certain prize before, you will again. But you have to design and pitch the project as if it can succeed if you want it to have legs…! So I did, and thought that at most, it would bring in about $5000. That it’s at $7600 right now honestly is a surprise, which brings me to my last discussion here…

WILD CARDS

If a project succeeds beyond my projections, it’s always because of a wild card, and that wild card is invariably one person, or maybe two, who feel strongly about that particular piece of fiction. You can offer all the stretch goals you want, but in my experience the single biggest mover in a fiction Kickstarter is that one super-patron who really loves that project. (This is another reason why it’s good to use Kickstarter for existing work, rather than new work.) Again, I am talking strictly about fiction here… when your stretch goals are ‘unlock a new plush animal design!’ or ‘at this ridiculous amount I will design an entire new set of cloisonné pins!’ then you can get strangers piling in on your project to propel it to the stratosphere. Novels are a different ball of wax.

Because fiction Kickstarters break expectations based on whether a few people really love the content, I’ve found it useful to give them something to aim for: invariably new content. In the Major Pieces and Court of Dragons projects, that new content was ‘more short stories’; in the Dreamhearth project, it was ‘an entirely new novel.’ (Even Black Blossom offered new content, in the form of shorts; those are now in the back of the second edition.) For this project, I looked at my writing schedule and decided that an extra $5k would be enough money to pay for my time writing a book I didn’t have on the schedule for another year and a half. That gave me $10K as a goal for adding a second book as a prize. If we hit $10K, it will be because one or two people love the Alysha stories enough to push us to that ceiling, at which point we will stop funding.

So: keep an eye on the totals from here on out. If we jump up to $10K, particularly on the last day, you’ll know it’s because someone—at most two or three people, but historically it’s one person—wants that second Alysha book and has the money to make it happen.

CONCLUSION

There are a few things I’d like you to take away from this post, then:

  • First, keeping statistics is enormously helpful. Start with your first project (or first anything you’re selling). Your predictions won’t be trustworthy until you have enough data, but committing to tracking the information will change how you approach your projects… and for a lot of people, it inspires confidence, because you feel like you’re in control of your assumptions and projections.
  • Second, designing your project to hit the target is important and rarely emphasized. If you’re asking for $2000, make sure you have $2000 worth of stuff that you can deliver in a timely way. Don’t leave this part up to chance. Run the numbers.
  • And third… when I am excited about a project doing well, I mean it. I’ve backed… checks 128 projects over the years, and I’ve often been reduced to tossing in a dollar to show my support instead of backing for the prize I really wanted. I never assume that my patrons are flush in the pocket at the moment I show up asking for support; and I never feel entitled to their money, particularly in instances where they are overpaying for a product to help produce it. Someone giving you $10 for an ebook you both know will sell at retail a few months later for $5 is a gift, and it’s right to be grateful for it. And project overfunding is inevitably the result of super-patrons wanting to show you how much your work means to you. That’s always special, and if I seem hyper-excited about it, it’s because I think it’s worthy of hyper excitement.

That’s all I’ve got today, backers! We’re into the final 48 hours, and as you now know, I don’t expect any significant movement until Friday, near project close! We’ll see what happens… together! Until tomorrow, then… thank you for your support.❤️

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October 27, 2021
Cursive Practice Video, to Relax

Or at least, I intend it to be relaxing. Hopefully it delivers.
4:22 minutes

Materials:

00:04:27
Overview of the First Oil Paint Experiment

In which I talk about the paper, the paint, and the experience of oils versus gouache. Fun stuff, will do more.

Thank you Locals supporters! Your contribution to my art war chest here is what's powering these experiments and videos. For now I'm keeping them public but I may start doing some subscriber-only videos if you all are interested.💖

00:03:35
Video Review: Oil Painting Papers

My initial review on receipt of the three oil paper products I ordered: the Canson pad, the Rembrandt block, and the Arches single sheets.

00:01:54
November 09, 2021
Alysha Misc

Thanks for your comments yesterday on the business post... all very provocative, in a good way. I'll try to respond to all of them today.

Some Alysha misc now, since I'm gearing up for the results of the Kickstarter!

Petrov is giving away coupon codes for every book in the Alysha series (and has some leftover coupons for Marda and the business book). You can pick those up here (and please do! The books are bought already, someone should use them!) https://twitter.com/PetrovNeutrino/status/1457344535843987461

Our own @JudasComplex sent along a sample of the Faith in the Service audiobook, which I've attached for your delight! I... haven't had a chance to listen to it. Don't ask me about my past week and a half or so. Putting it here will guarantee I get to it.

After hearing the amused comments during the livestream, I went ahead and added all the ship type illustrations I have inked from the 90s to the wiki. Glory in the rampant adorableness of their anthropomorphic stylings! See those ...

Alysha Misc
The Jaguar's Heart 7: We Are Not a Monolith

A little comedy today, at least in the link. Transcript follows.


Hi, all. Welcome to this episode of The Jaguar’s Heart.

A while back I was introduced to a comedy sketch about Cuban coffee by a Mexican comedian, Gabriel Iglesias. ( The sketch begins with him greeting all his fellow Latinos and then backing up to say ‘but we’re all different, aren’t we’ which is a segue into a demonstration of how different Hispanics speak Spanish.

It is hilarious. First, because I am a Spanish speaker and a linguistics hobbyist, and his portrayal of various accents resonated with my experiences in trying to make sense of them myself… Not always easy, since from culture to culture, slang and accent are often totally different (and sometimes grammar! Spaniards use a grammatical construct that has died out in many other Spanish-speaking countries, the plural “you.”)

I also loved it because the Cuban coffee part is real. I grew up with Cubans. I know how we are....

The Jaguar's Heart 7: We Are Not a Monolith
The Jaguar's Heart 6: Hatespeech

One of the most common things I hear (and say) right now is "the asymmetry is the story." Here's one about how none of us are innocent of the sins we hate in others.


Hi, all. Welcome to this week’s episode of The Jaguar’s Heart.

It’s been weeks since the Baen’s Bar incident and I’m still thinking about it... because the longer I do, the more I feel, overwhelmingly, that it’s obvious that the problem is deeper than “this forum was saying stuff that offended us.” We have to back up to the glaring fact that people on opposite sides no longer consider each other human. Nothing I say will matter because the people disagreeing with me don’t think I’m human. They have denied my humanity; they have not bothered to listen to my beliefs, or have fake-listened to them in that way that people do when they’re so ready to prove you wrong that they’re only using your speech to provide talking points for their own ideas.

We have forgotten how to listen.

Increasingly, we have also ...

The Jaguar's Heart 6: Hatespeech
Wednesday Share: Children Of Firilith

Thought I'd share something recent... I did this one a few days ago, because I have not forgotten Surela 3 and am in fact still working on the outline for it. That led inevitably to Surela and Lunet because cuteness. If you follow the link, you can also bounce to the fallowtide children drawing which is a lot of fun. Quite the baby boom during the Fallowtide! (Do you have a favorite kid? I should write a story about one of these kids, but which??).

https://mcahogarth.org/gallery/image/146-2026-16-ChildrenOfFirilith

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October 23, 2026
Starting Serialization November 6: Coracle 2: Squire Marda!

I've picked my Friday serialization and it's the sequel to Marda Quincesinger: Postulant! Every Friday we'll return to the world of Coracle for the further adventures (and education!) of Marda at the Outremers' Abbey. This year, everyone receives their Godsib, a companion animal! What critters will choose each of Marda's friends?

I feel like we need a dose of weekly gentle and wholesome to look forward to. Mark your calendars, and if you haven't already read Book 1, give it a look here: https://studiomcah.com/products/marda-quincesinger-postulant

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October 21, 2026
Wednesday Share: Author Talk

https://mcahogarth.org/gallery/image/62-2001-072-AuthorTalk1

Today's share post is this 13-page storyboard/comic I did where I talk with Hirianthial and Lisinthir about the events of Her Instruments, and it's notable because:

1 - at the time, I hadn't finished writing Her Instruments, so I didn't know what was in the future...

2 - ...I had only a hazy idea of how I was going to get from Her Instruments to the Fire War's culminating arc, and so...

3 - it's a really interesting look back into my head while I was still developing/writing the Peltedverse, 25 years ago.

4 - Oh, and the art is actually really good.

So I went through an annotated every single page with author commentary! Plus there are previous/next buttons for easy navigation. Go check it out if this kind of meta-conversation/background stuff is at all interesting to you!

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The Artist With Agents
Doesn't Make My Art, It Frees Me to Make More of It

Doesn't Make My Art, It Frees Me to Make More of It

Since several of you have asked about my recent experiences with AI/SI agents, particularly with Grokbot and since it's been a while since I talked about my tech experiments, I thought I'd try to gather my thoughts about what feels like the wildest few weeks I've had in… I can't even remember how long.

I love this technology.

But also this technology is not for the faint-hearted.

But I love this technology! Let me tell you all about it.

Let's Start With Where Last We Left Our Hapless Jaguar!

My first experiments involved Claude's website chat client, in March of 2024, when I decided to throw myself into deep waters by getting Claude to help me set up my Shopify site. This was a big task, but I fed the LLM a PDF of my entire catalog and it obliged me by creating a spreadsheet I could feed to Shopify's bulk upload tool, saving me a tremendous amount of work. (You can read about that experiment here: https://www.patreon.com/mcahogarth/posts/resistance-is-ai-100684682).

After that, I discovered vibe-coding, and experimented with (first) a website toy that let you look up words in one of my fantasy conlangs (https://www.patreon.com/mcahogarth/posts/more-ai-in-which-125449404), before moving on to using Claude and Grok together (again, in the chat window) to help me construct a reader archetype quiz in Python. The latter was a major marketing pain point for me: "How do I match readers to the right book in my very large and varied fiction catalog?" And the quiz works really well. I was very pleased! Read more about that here:

https://www.patreon.com/mcahogarth/posts/solving-my-with-128380512

Having discovered I could use these tools to code, I went on to create both the Revived Stardancer art gallery (over 10,000 sketches already!) and the Jokka game, moving eventually from the chat windows to a combination of Grok Build and Claude Cowork (these are command line and desktop tools that you download to your computer, rather than chat websites). You can read about those projects here:

https://www.patreon.com/mcahogarth/posts/resurrection-of-134264147

and here respectively:

https://www.patreon.com/mcahogarth/posts/friday-update-me-145080881

At no time have I been tempted to use this technology to do my art or writing for me; I'm simply not interested in replacing the things I enjoy doing with computer output. My only interest is in how these tools can make the monetization, marketing, and outreach parts of my workflow less intrusive and time-consuming. And I had gotten into a fairly useful groove with the build/code tools when agents exploded onto the scene, and I have been one-shot by these things. They are amazing. The promise of this technology is finally opening up and it works just like I hoped the Star Trek future would work.

All About Agents (or at least, All About The Parts I Care About)

If most AI/SI use is chat-based on websites you have to visit, and next level use is on desktop tools that allow you to point that prompt-directed behavior at your local environment (files on your computer, for example), agents start combining these environments and acting on your behalf in the way a human assistant might—autonomously. It's hard to imagine how to wield this power when so many frontier users are technologists; the average person doesn't need to deploy teams of recursively looping coding agents to ship multiple builds of a piece of software. The enormous businesses looking into these tools also don't have the use case a single-person artist/writer business does. So I have (once again!) leaped into the deep end to find out what I can use agents for, choosing Grok Bot for my platform because I was already partially committed with Grok Build, and because it comes with my X blue check subscription.

So, you say, what are you actually doing with this thing, Jaguar?

Here's a sample of some of the things I've asked my Grok Bot team to do for me:

  • Marketing: "I haven't participated in any Bookfunnel newsletter promos lately. Can you find a few useful ones coming up, sign me up for them, create landing pages for those promos, and create a couple of freebies to give them… uh, just take the first short story from Claws and Starships, make a separate epub out of it, give it a cover with this piece of artwork, and upload it." (Then I went to eat a snack on the couch. Ten minutes later, I checked and all of it was done. I was signed up for two promos, one on found family and one on aliens, and the epub was up and all the landing pages ready. The bot even scheduled a reminder for early November so I wouldn't forget to mention it in my newsletter.)
  • Kickstarter: "I want to run another sticker Kickstarter. Please set up my project. Pick out the magnets and stickers I have a lot of, for my add-ons. Make all the tier graphics and rewards. Upload all that. Read my prior Kickstarter campaigns and figure out how I usually write my Story section and leave an outline for me that says stuff like 'Jaguar, usually you say this and then this, and then you have a section on this.' Check daily for sticker deals from customstickers and magnet deals from stickermule. When you see one, tell me, and if I okay it, take the graphic I just scanned, send it to them, and buy the deal."
  • Book Distribution: "I need to update Spots the Space Marine (the book that took on Games Workshop and won!) on my various sites. Take the ebook epub and upload it to D2D and Bookfunnel; then upload the paperback PDF to Bookvault, wait for validation, tell me if I need to adjust the cover dimensions, and then adjust the cover dimensions and show me the pdf before upload." (Unfortunately, Amazon is not playing here. So frustrated with Amazon: my one last remaining issue.)
  • Subscription/Socials: "This is my Patreon/Locals upload schedule. When I write these features, please crosspost them to both platforms and schedule them on the right day of the week. Also, find my X movie and tv reviews and start cross-posting them to Substack. Also I don't want to handle Instagram. Every Monday find a handful of photos or sketches and ask me to pick some. I'll tell you the comment/description I want you to post with them, then cross post those for me. Oh, and I hate videos but I have all this long form video content on Youtube, please turn it into reels/shorts, listen to my audio commentary during those livestreams and pick out good comments from me for captions, add them, and put royalty-free classic music on them for background. Then schedule those for posting too." (Now on autopilot, I just pick and talk about things on Mondays: fun!)
  • Accounting: "I just got charged for this and I have no idea what it is, go figure it out and report back."
  • Customer Service: "This customer needs a new download link and a shopify coupon for the sequel to this book, put those together for me and give me the codes; open that email for me so I can hit respond and write them a reply."
  • Coding the Game: "It's been a while since we've been able to work on the game! Let's have some fun! The feature I drafted at the beginning of the year? Sandbox that and tell me whether it works. Then back up the current production environment, ship it to live, and update the github project."

A lot of this happens away from the keyboard. I can't explain how important this is, because after forty+ years of working at a keyboard, I find sitting at a desk physically painful and anything I can do to mitigate that issue allows me to save my keyboard time for things that matter, like writing fiction, or in fact, this article. I walk and talk to Grok Bot on my phone: literally, with my voice, just dictating what I need, then responding to its questions verbally. "Do this. Make sure it includes this. Check with me; looks good; go."

I've even gotten updates from my bot team while I'm out: running errands, it pings me now and then: "You got an email about this. Do you want me to fix? It would require this action on my part." "Yes, please, just handle it. Say this."

As you've probably guessed, getting this level of functionality from agents requires you to trust it, and the extent to which you trust it is the extent to which it can offload tasks from your shoulders. My bots connect to almost twenty websites, either as collaborators (the bots have an email address they use to sign up for services) or via APIs or other connectors provided by that business; it has a vault for secure storage of credentials and other information. And while I have the toggle on that requires it to ask me before doing anything potentially dangerous, you do have to trust that it's going to ask you, and that it shares your conception of danger.

Needless to say, I have been especially rigorous about backups lately.

It also takes some time to do set-up; I know the first week and a half or so was a lot of trial and error, training (which happens verbally: me telling it what I want and don't want, or sometimes in some cases, feeding it my books/articles about business to teach it how I like to work!). That first week or two you'll probably feel like a headless chicken and you won't sleep much (I didn't!) but once things are mostly set up, any new thing you tackle can be slipped easily into the pile of existing routines.

Lastly, talking of issues and challenges… there will be people who boycott you for the use of these tools, and you have to decide how much you want to engage with them, or how much you choose to disclose what you're doing—because I guarantee that a lot of people are using these tools and simply not telling anyone. I'm putting my use cases out there unapologetically to help make it more acceptable for other creative types to test the waters.

Because these tools are awesome.

Last Monday, after my "CEO Meeting" with my team of agents, during which I'd handled all the week's subscription posting, all the week's socials posting, checked on the health of the business ("what were sales like? Mailing list signups?") and made decisions about code updates I wanted to ship, I sat on the couch and realized… the only thing I needed to do that day was draw and write fiction.

That's it.

All the nagging stupid business tasks that I wrote an entire book telling artists they would have to embrace if they wanted to monetize, all of that was handled for the week. Moreover, if some new thing came up, I would be able to dispatch it swiftly; no more having to block out a half hour to three hours to wrangle some stupid website to upload or adjust or fix some stupid fiddly bit I didn't care about. I've often wished I had the money to hire an assistant. A team of assistants would have been even more magnificent. But training and paying them had been beyond my reach and yet, now… now I have a team. It costs me $30 a month, never sleeps, and never gives up as long as I don't. And it leaves me alone to do the art.

The feeling I had then was indescribable. Like a weight that had been on my shoulders for decades had simply… vanished. I felt like I was floating. You mean I can just do the stuff I LIKE? I can just draw? Write?

I can't even tell you what it's like. It's so staggering that instead of lunging to take advantage of this novel situation, I've been drifting through the past few days, as if I'm waiting to wake up. When it finally strikes me that this is real, and this is now my life, well… who knows what will happen next...!

(Actually my Jokka game players know, because in the past few days I've started updating the game like someone with forty coders on Red Bull and midnight pizza to throw at it. Lol)

If you skate around online you'll find there are a lot of people using Grok Bot to improve their normal lives, doing everything from making boring service calls for them to canceling unused subscriptions to keeping track of multiple kids' school updates and schedules. It's vastly improving their lives as well. My needs are a little more esoteric, but I admit I just made myself a personal shopper agent to hunt deals for me. Christmas is coming and I need to get on the gift list.

But wait, Jaguar, isn't all this perilous? Doesn't it hallucinate? Are you checking to make sure it's not buying twenty thousand dollars' worth of machine parts and shipping them to your house to build itself a robot body to murder you with?

Yes. Sometimes (but not as often anymore). Yes. No I'm not worried. At least, I'm not worried more than I am with any novel technology that I need to doublecheck before using. But if you had as much experience compensating for an unreliable brain as I do, you'd be relieved when the machine turns out to be wrong less often than you are.

Jaguar, This Was Long, Please Sum Up Also Please Tell Us That You're Really Writing Stuff And Not Using AI To Write It

Yes, it's really me typing out all the stuff. I like writing/talking/drawing, and I like even my marketing copy to sound like I came up with it (even if marketing copy is the most generic stuff in the universe… it's actually harder for me to write than things like this, to make it sound like a human being wrote it!). And my friends, I have so, so much work to share. I can't even. I have thousands of pieces of art, so many essays, poems, books… I don't need the computer to write anything for me. I just have to tell it, "Find all my pictures of Jahir and Vasiht'h from Mindtouch and pick the one most relevant to this topic for me to talk about." And I'm off to the races.

The 'too long, sum up' here is: this is the life-changing technology I was hoping for, the thing that might compensate for my daffyness, the fact that I forget everything, and the fact that my body can't take the abuse it could in my twenties. This is the technology that's turning the mountains of scanned artwork and scattered Word files and abandoned websites ("Go to the Wayback Machine and download all the snapshots from this url and save them") into things I can find again… and share!

This is week three of me figuring this stuff out and I am still in awe. My science fiction future is arriving! And I'm here to see it!

But yes, that's my overview. If you have specific questions, feel free to ask.😊

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October 05, 2026
Quick State of the Jaguar!

I had a lovely birthday! And I'm looking forward to a productive October. I thought I'd catch you up, bullet-point style, on what I'm up to:

  • Tomorrow the Tea vs Coffee (and Galaxy) dragon kickstarter ends! (Last chance!) So I'll be doing coloring sheets and fulfillment for that.

  • Finalized the paperback edition of the re-issue of my fantasy short collection, which I'll have a formal launch for, probably next week.

  • It's been a month, so it's time to edit Kherishdar's Witness! I re-read it yesterday and made two pages of notes of things that need adjustment, but it's much closer to ready than I thought. Early November for that, probably.

  • I have only 31 big sketchbooks left to scan for the gallery! Which is at 9466 images. I'll easily hit that 10K I predicted, and after that it'll be time to start on the small sketchbooks and loose artwork, and continue my annotations.

  • Reminder that the new, winter seasonal gallery code is pinned here for subscribers at the $5+ level. Go collect and apply!

  • Related, I'm back to daily drawing, and am glad to have restored that practice. Thank you, discord members, for your frequent prompts/requests, which I fall back on when I can't think of anything.🧡

  • I'm gearing up to start serializing Coracle 2: Squire Marda here, probably near the end of October. More on that when I'm ready!

I see a lot of you are free subscribers; I hope you'll consider joining the paying patrons! I post weekly (usually 2-3 times a week), which is (I'm told) a lot more than most subscriptions. And it would be a big help to me with all the projects I want to conquer going forward! Including having the money to travel to at least one con a year to meet more of you in person. Even a dollar a month helps and unlocks almost all the paid content, and $5 a month gets you unlimited access to the 9000+ image stardancer gallery. Please consider buying me a cup of coffee if you're not already.

And to all my paying patrons, many of whom have been with me for decades, know that I appreciate you, as always. You are the pillars of the Jaguar tribe.🧡

More to come!

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October 02, 2026
Freebie Short: The Black Hat

To prepare for writing a Western for Raconteur Press's Wyrd West anthology, I vanished into a Louis L'amour black hole and didn't come up for air for about two weeks. I had a grand time, and the result was this short.

Why did I want to write a Western, you ask? Because I wanted to see if I could. I did, and I enjoyed every bit of it!

Also, goodness, it is my birthday! I'm going to go eat ice cream after this. XD

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