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Community for science fiction and fantasy author/artist M.C.A. Hogarth.
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November 08, 2021
Business Post: Do You Really Want Every Customer?

Kind of interesting interaction last week about the Kickstarter, in which disappointment was expressed that I wasn’t offering a normal paperback prize: I should be offering prizes in every price range, because to be successful you should reach every potential backer, was the assertion.

This was a valuable interaction, because it prompted me to re-examine my processes. After a couple of days, I figured out the core misapprehension: it was assumed I wanted to reach every potential customer. But you don’t always want every possible customer. In fact, in the case of the Kickstarter, arranging to reach every potential customer would lose me money, which makes the ‘to be successful, you should be doing something different’ advice… bad advice. As a consumer, I can sympathize with the sentiment, especially if I’m on the un-served end of the equation… there have been many times I’ve thought ‘I wish there was a price option that got me what I wanted for what I can afford.’ But that’s not always feasible, on the other end.

Your first task, when you are crafting a business plan, is to decide what you’re using your prospective project for. I tend to separate projects into two high level buckets: bread-and-butter income, and capital generation. The former’s intended to bring steady amounts of low level money, and the latter, bursts of cash I can use to top off disappointing quarters or pay for big expenses.

The strategies for these two kinds of projects have to be different. The bread-and-butter route rewards low-effort, low-to-moderate cost products that can be sustained indefinitely. High-effort, premium products are time-consuming and need to be limited, which makes them ideal for capital generating projects. What doesn’t work, in my experience, is mixing the two strategies, unless you have a workforce you can put on the task. As a single-person business, I will get myself into trouble immediately if I try to use high-effort but moderate-cost products to generate capital.

To put some concrete examples in here:

Paperbacks printed on demand and shipped by retailers without my intervention are low-effort products I can offer indefinitely. All I need to do is press the ‘make this available’ button and retailers will sell them for me until I press a ‘stop selling this’ button. Easy peasy.

Paperbacks printed on demand and shipped by me are high-effort products that need to generate a great deal of cash to offset the effort and time it takes for me to handle them personally. I need to order them (time and money), receive them (time), pack them for re-shipment (time and money) and mail them individually (time and money). There is no reason I should be doing that when Amazon or Barnes & Noble will do it for me… and for cheaper. I can’t offer free shipping.

Since any paperback I touch is already extremely costly, turning them into a premium, high-cost object is the only way I can profit off them… which makes them a perfect fit for short-term capital generating projects.

My Kickstarters—intended to generate capital quickly—are the right tool for premium products. I can offer low cost prizes only when they are cheap in time and production costs, which means, essentially, anything digital. But a Kickstarter project is the wrong tool for a moderate-cost paperback option, which I would lose money on… particularly since that paperback option will be available later via my bread-and-butter route, which is retail sales. I would lose money offering an unsigned, cheap paperback option via my Kickstarters. Which means, for that kind of project, the moderate-budget backer is not a potential customer I want to serve.

This doesn’t mean I don’t want my moderate cost customers. It just means they can pay me at a different time: after the Kickstarter has generated the capital I’ll be using to create the project, not before.

There was a later comment that basically went ‘she’s overfunded, so I guess it’s working for her, but…’ ‘It’s working for her’ should end that sentence. If it’s working for me, it’s successful, and on my terms. I’ve spoken many times about controlling your successes. I don’t want to limit my success based on tasks I could offload to people hired for the extra work. But when I can’t see a way to do that offloading—when the work is the creative part that can’t be outsourced—then I don’t want to attract so many people wanting so many things that I spend a year struggling to keep on top of all my commitments. I’d much rather be done in a few months, and then be free to continue trying new things and working on new projects.

It may be that this is myopic; that the reason I’m not living in my Italian vineyard with my private plane waiting to fly me to my yacht in Greece is that I’m too good at keeping my business from sprawling out of control. But I also think that when you stray too far from your core business, you’re more apt to end up doing things you don’t enjoy… at which point, you might as well work in a cubicle. The pay’s more predictable.

My most important observation, after thinking about this for a few days, is to remember that advice that sounds like it should work may not work in practice, and that you always, always have to run the numbers. “To be successful, you should have a product in every price range” sounds good on the surface, but might actually be the opposite of what you need to do to succeed. Trust the math. 🙂

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October 27, 2021
Cursive Practice Video, to Relax

Or at least, I intend it to be relaxing. Hopefully it delivers.
4:22 minutes

Materials:

00:04:27
Overview of the First Oil Paint Experiment

In which I talk about the paper, the paint, and the experience of oils versus gouache. Fun stuff, will do more.

Thank you Locals supporters! Your contribution to my art war chest here is what's powering these experiments and videos. For now I'm keeping them public but I may start doing some subscriber-only videos if you all are interested.💖

00:03:35
Video Review: Oil Painting Papers

My initial review on receipt of the three oil paper products I ordered: the Canson pad, the Rembrandt block, and the Arches single sheets.

00:01:54
November 09, 2021
Alysha Misc

Thanks for your comments yesterday on the business post... all very provocative, in a good way. I'll try to respond to all of them today.

Some Alysha misc now, since I'm gearing up for the results of the Kickstarter!

Petrov is giving away coupon codes for every book in the Alysha series (and has some leftover coupons for Marda and the business book). You can pick those up here (and please do! The books are bought already, someone should use them!) https://twitter.com/PetrovNeutrino/status/1457344535843987461

Our own @JudasComplex sent along a sample of the Faith in the Service audiobook, which I've attached for your delight! I... haven't had a chance to listen to it. Don't ask me about my past week and a half or so. Putting it here will guarantee I get to it.

After hearing the amused comments during the livestream, I went ahead and added all the ship type illustrations I have inked from the 90s to the wiki. Glory in the rampant adorableness of their anthropomorphic stylings! See those ...

Alysha Misc
The Jaguar's Heart 7: We Are Not a Monolith

A little comedy today, at least in the link. Transcript follows.


Hi, all. Welcome to this episode of The Jaguar’s Heart.

A while back I was introduced to a comedy sketch about Cuban coffee by a Mexican comedian, Gabriel Iglesias. ( The sketch begins with him greeting all his fellow Latinos and then backing up to say ‘but we’re all different, aren’t we’ which is a segue into a demonstration of how different Hispanics speak Spanish.

It is hilarious. First, because I am a Spanish speaker and a linguistics hobbyist, and his portrayal of various accents resonated with my experiences in trying to make sense of them myself… Not always easy, since from culture to culture, slang and accent are often totally different (and sometimes grammar! Spaniards use a grammatical construct that has died out in many other Spanish-speaking countries, the plural “you.”)

I also loved it because the Cuban coffee part is real. I grew up with Cubans. I know how we are....

The Jaguar's Heart 7: We Are Not a Monolith
The Jaguar's Heart 6: Hatespeech

One of the most common things I hear (and say) right now is "the asymmetry is the story." Here's one about how none of us are innocent of the sins we hate in others.


Hi, all. Welcome to this week’s episode of The Jaguar’s Heart.

It’s been weeks since the Baen’s Bar incident and I’m still thinking about it... because the longer I do, the more I feel, overwhelmingly, that it’s obvious that the problem is deeper than “this forum was saying stuff that offended us.” We have to back up to the glaring fact that people on opposite sides no longer consider each other human. Nothing I say will matter because the people disagreeing with me don’t think I’m human. They have denied my humanity; they have not bothered to listen to my beliefs, or have fake-listened to them in that way that people do when they’re so ready to prove you wrong that they’re only using your speech to provide talking points for their own ideas.

We have forgotten how to listen.

Increasingly, we have also ...

The Jaguar's Heart 6: Hatespeech
What's Up Jaguar!

                We’re just about at the midpoint of 2025, so I thought today would be a good day to do a Jaguar check-in! What a weird year it’s been. Very busy, family-wise, with lots of both good and challenging changes; I am using up a lot of time on that, but how is that news? You know how it goes.

                My current major project is finishing up the second Jokka collection and mailing all the Kickstarter prizes. That should be wrapped up next month sometime, when we start the Red Honey serialization. I tell you, it’s a wild to be scanning old sketchbooks, only to find sketches of the Red Honey characters from the 2000s! This story has been on the backburner a long time! I also unearthed a lot of sketches from the development of the jokka.org website, which I used the wayback machine to archive (as much as possible). I’m thinking of restoring some amount of it to my current website, which is my other major project right now: my website. I feel like ...

Time to Vote! Badge Styles!

I want to do these badge designs for things like shirts, acrylic pins, and the quiz! What design do you like? There are four "head and bust" styles and two "full body" styles.

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Upcoming Serial Plans

As you all know (she says), we’ve reached the end of our last serial, Live, Love, Level, and I’ve been dragging my heels about what to do next… mostly because it’s hard for me to write more than one story at a time and if a serial goes on long enough, I’ll inevitably be working on another project. But I had a brainstorm when the Kickstarter got us every stretch goal except the Red Honey novella, which some of you have been waiting for, for decades. That story’s already 5000 words toward an expected 1,5000 (I know, I know) and the Kickstarter has definitively proved that the Jokka still have fans who want more stories.

SO! Our next serial will be Red Honey, the story of how the Jokka moved out of the nomadic age into the age of settlements. Some of you might remember the seeds of that evolution in Kediil’s second adventure, “New Stories.” And Roika and Keshul talked briefly about the first Jokku settlement during Pearl, hinting that there was some drama involved. Well, there is, ...

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Meta-Conversations: Ungovernable
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Gamelit Final (gg gg)
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INNNNNCOMING
News for Early Summer 2025

KICKSTARTER KICKSTARTER GO GO GO

The Jokka kickstarter launches Thursday! And runs for 12 days, so if you want any of the original art (or one of the few “get yourself drawn as one of the Jokka” slots), go sign up to be notified of launch!

ON THE HORIZON: A LOT MORE ART

Scott Adams is fond of saying that you either want something, or you decide. That if you’re in the ‘I want’ phase, you don’t actually take steps; things only start happening when you have decided they’re going to happen. And I, ariisen, have finally decided I’m sick of not scanning and archiving my sketchbooks and turning them into stuff you can enjoy, like art books and prints and wiki images! I’ve already done Sketchbooks 1-10, and I’ve made a start on the next set of ten.

My plan is to run a Kickstarter for the first art book in a month or two (so if you’re a fan of my art more than my writing, your campaign is coming!) and use that as the proof-of-concept for the process for the remaining 200 or so… see where the issues are, streamline where I can, order proofs of the art book and decide what paper I like and what kinds of covers are economically feasible. I’ve timed myself and it takes about two hours to scan one sketchbook, if I stand there and do nothing but turn pages. I don’t think I can make that part go by faster, but I might be able to do something about the post-processing phase. Let the experimentation begin!

While I’m doing that, I’ll be posting some of the scans here! These posts will be separate from Back in Time Tuesday, which is for finished artwork dug out of the closet from whatever time period I feel like sharing. This means the Patreon will be getting EVEN MORE ART.

I’m debating right now whether the art sharing will be my “serial” until I’m ready to serialize new fiction. Someone also suggested writing wiki/worldbuilding entries as serial content, which might be fun. But I’m still only wanting to do those things—I definitely haven’t decided. Until then, there definitely will be an art explosion. I’ve montaged some things up there as demonstration of what you have to look forward to!

If you are a lurker, now’s a good time to decide whether you want to subscribe to contribute to my coffee fund. I do, in fact, literally drink a cup of coffee while trapped in my laundry room, turning pages and leaning on the drier! Or if you’re a paying subscriber, consider buying me a monthly coffee if you’re currently in the ‘tossing the jaguar a buck’ club. My coffee capsules are closer to $2 after shipping. XD

We’re all overloaded and looking for moments of beauty and cheer and inspiration in our days. A lot of this older artwork is silly, or delightful, or cartoonical, and I think it might be just what we need.

Seriously, check out happy bee guy there. What even was that. Lol.😂

Anyway, I'm doing the things! Jokka! Art! Fun! Forth!

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