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Community for science fiction and fantasy author/artist M.C.A. Hogarth.
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November 08, 2021
Business Post: Do You Really Want Every Customer?

Kind of interesting interaction last week about the Kickstarter, in which disappointment was expressed that I wasn’t offering a normal paperback prize: I should be offering prizes in every price range, because to be successful you should reach every potential backer, was the assertion.

This was a valuable interaction, because it prompted me to re-examine my processes. After a couple of days, I figured out the core misapprehension: it was assumed I wanted to reach every potential customer. But you don’t always want every possible customer. In fact, in the case of the Kickstarter, arranging to reach every potential customer would lose me money, which makes the ‘to be successful, you should be doing something different’ advice… bad advice. As a consumer, I can sympathize with the sentiment, especially if I’m on the un-served end of the equation… there have been many times I’ve thought ‘I wish there was a price option that got me what I wanted for what I can afford.’ But that’s not always feasible, on the other end.

Your first task, when you are crafting a business plan, is to decide what you’re using your prospective project for. I tend to separate projects into two high level buckets: bread-and-butter income, and capital generation. The former’s intended to bring steady amounts of low level money, and the latter, bursts of cash I can use to top off disappointing quarters or pay for big expenses.

The strategies for these two kinds of projects have to be different. The bread-and-butter route rewards low-effort, low-to-moderate cost products that can be sustained indefinitely. High-effort, premium products are time-consuming and need to be limited, which makes them ideal for capital generating projects. What doesn’t work, in my experience, is mixing the two strategies, unless you have a workforce you can put on the task. As a single-person business, I will get myself into trouble immediately if I try to use high-effort but moderate-cost products to generate capital.

To put some concrete examples in here:

Paperbacks printed on demand and shipped by retailers without my intervention are low-effort products I can offer indefinitely. All I need to do is press the ‘make this available’ button and retailers will sell them for me until I press a ‘stop selling this’ button. Easy peasy.

Paperbacks printed on demand and shipped by me are high-effort products that need to generate a great deal of cash to offset the effort and time it takes for me to handle them personally. I need to order them (time and money), receive them (time), pack them for re-shipment (time and money) and mail them individually (time and money). There is no reason I should be doing that when Amazon or Barnes & Noble will do it for me… and for cheaper. I can’t offer free shipping.

Since any paperback I touch is already extremely costly, turning them into a premium, high-cost object is the only way I can profit off them… which makes them a perfect fit for short-term capital generating projects.

My Kickstarters—intended to generate capital quickly—are the right tool for premium products. I can offer low cost prizes only when they are cheap in time and production costs, which means, essentially, anything digital. But a Kickstarter project is the wrong tool for a moderate-cost paperback option, which I would lose money on… particularly since that paperback option will be available later via my bread-and-butter route, which is retail sales. I would lose money offering an unsigned, cheap paperback option via my Kickstarters. Which means, for that kind of project, the moderate-budget backer is not a potential customer I want to serve.

This doesn’t mean I don’t want my moderate cost customers. It just means they can pay me at a different time: after the Kickstarter has generated the capital I’ll be using to create the project, not before.

There was a later comment that basically went ‘she’s overfunded, so I guess it’s working for her, but…’ ‘It’s working for her’ should end that sentence. If it’s working for me, it’s successful, and on my terms. I’ve spoken many times about controlling your successes. I don’t want to limit my success based on tasks I could offload to people hired for the extra work. But when I can’t see a way to do that offloading—when the work is the creative part that can’t be outsourced—then I don’t want to attract so many people wanting so many things that I spend a year struggling to keep on top of all my commitments. I’d much rather be done in a few months, and then be free to continue trying new things and working on new projects.

It may be that this is myopic; that the reason I’m not living in my Italian vineyard with my private plane waiting to fly me to my yacht in Greece is that I’m too good at keeping my business from sprawling out of control. But I also think that when you stray too far from your core business, you’re more apt to end up doing things you don’t enjoy… at which point, you might as well work in a cubicle. The pay’s more predictable.

My most important observation, after thinking about this for a few days, is to remember that advice that sounds like it should work may not work in practice, and that you always, always have to run the numbers. “To be successful, you should have a product in every price range” sounds good on the surface, but might actually be the opposite of what you need to do to succeed. Trust the math. 🙂

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October 27, 2021
Cursive Practice Video, to Relax

Or at least, I intend it to be relaxing. Hopefully it delivers.
4:22 minutes

Materials:

00:04:27
Overview of the First Oil Paint Experiment

In which I talk about the paper, the paint, and the experience of oils versus gouache. Fun stuff, will do more.

Thank you Locals supporters! Your contribution to my art war chest here is what's powering these experiments and videos. For now I'm keeping them public but I may start doing some subscriber-only videos if you all are interested.💖

00:03:35
Video Review: Oil Painting Papers

My initial review on receipt of the three oil paper products I ordered: the Canson pad, the Rembrandt block, and the Arches single sheets.

00:01:54
November 09, 2021
Alysha Misc

Thanks for your comments yesterday on the business post... all very provocative, in a good way. I'll try to respond to all of them today.

Some Alysha misc now, since I'm gearing up for the results of the Kickstarter!

Petrov is giving away coupon codes for every book in the Alysha series (and has some leftover coupons for Marda and the business book). You can pick those up here (and please do! The books are bought already, someone should use them!) https://twitter.com/PetrovNeutrino/status/1457344535843987461

Our own @JudasComplex sent along a sample of the Faith in the Service audiobook, which I've attached for your delight! I... haven't had a chance to listen to it. Don't ask me about my past week and a half or so. Putting it here will guarantee I get to it.

After hearing the amused comments during the livestream, I went ahead and added all the ship type illustrations I have inked from the 90s to the wiki. Glory in the rampant adorableness of their anthropomorphic stylings! See those ...

Alysha Misc
The Jaguar's Heart 7: We Are Not a Monolith

A little comedy today, at least in the link. Transcript follows.


Hi, all. Welcome to this episode of The Jaguar’s Heart.

A while back I was introduced to a comedy sketch about Cuban coffee by a Mexican comedian, Gabriel Iglesias. ( The sketch begins with him greeting all his fellow Latinos and then backing up to say ‘but we’re all different, aren’t we’ which is a segue into a demonstration of how different Hispanics speak Spanish.

It is hilarious. First, because I am a Spanish speaker and a linguistics hobbyist, and his portrayal of various accents resonated with my experiences in trying to make sense of them myself… Not always easy, since from culture to culture, slang and accent are often totally different (and sometimes grammar! Spaniards use a grammatical construct that has died out in many other Spanish-speaking countries, the plural “you.”)

I also loved it because the Cuban coffee part is real. I grew up with Cubans. I know how we are....

The Jaguar's Heart 7: We Are Not a Monolith
The Jaguar's Heart 6: Hatespeech

One of the most common things I hear (and say) right now is "the asymmetry is the story." Here's one about how none of us are innocent of the sins we hate in others.


Hi, all. Welcome to this week’s episode of The Jaguar’s Heart.

It’s been weeks since the Baen’s Bar incident and I’m still thinking about it... because the longer I do, the more I feel, overwhelmingly, that it’s obvious that the problem is deeper than “this forum was saying stuff that offended us.” We have to back up to the glaring fact that people on opposite sides no longer consider each other human. Nothing I say will matter because the people disagreeing with me don’t think I’m human. They have denied my humanity; they have not bothered to listen to my beliefs, or have fake-listened to them in that way that people do when they’re so ready to prove you wrong that they’re only using your speech to provide talking points for their own ideas.

We have forgotten how to listen.

Increasingly, we have also ...

The Jaguar's Heart 6: Hatespeech
September 23, 2026
Wednesday Share: The Elemental Series

https://mcahogarth.org/gallery/image/123-2019-42-ElementalJahir

Today's Wednesday Share is a little different... in this case, it's the first of a series, and you can see the other 6 pieces (plus a false start) linked from the annotation in the gallery. (Bonus: there's a link to another, similar series of Peltedverse Tarot images in the artist notes section).

I was inspired to do this one by the song Elemental from the Tears for Fears album. I was thinking of what the elemental symbols of each of the major Eldritch saga characters was, so I decided to chase them down. For instance, Jahir's has the unicorn, the amulet, the sword of state, the caduceus, and the net/spacetime of the seer!

If you're interested in seeing the rest of them, go check them out! Share your favorites if you feel like leaving a comment!

September 22, 2026
My Thirtieth (!) Kickstarter is live!

How wild is that? This one is fun because it's a "choose your champion" style competition between tea and coffee! And my daughter is participating to raise money for her college food budget with a design of her own! AND it will run through my birthday!

This might be more excitement than I can handle, honestly, lol. Anyway, come check it out!

https://www.kickstarter.com/projects/mcahogarth/tea-dragon-vs-coffee-dragon-drink-sticker-campaign?ref=o2nj4z

September 21, 2026
Back in Time... Monday? North Point

Yes! Because tomorrow I am launching the kickstarter, so I don't want to clutter up your feed. So for your pleasure today, here is a color pencil piece from 26 years ago. Look at the water! And goodness, how hard I worked on those dark and forbidding cliffs. But I think my favorite thing is her hair, caught up in the jeweled caul.

I hope this one brings some beauty to the start of your week!

You can see it here on the gallery: https://mcahogarth.org/gallery/image/56-2000-055-NorthPoint

September 25, 2026
Freebie Short: Hate That Guy

Today's short returns to the Le'enle for a comical urban fantasy published originally in Raconteur Press's Brim to the Dregs anthology. This was a potion-and-brew-themed call, and that made it a perfect fit for the Le'enle who have a special relationship with...

Well, just read on. XD

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September 18, 2026
Freebie Short: Sister Prissa's Philters

Returning to the freebies, here's the fantasy short I wrote for Raconteur Press's Goblin Market anthology. One of the things I love most about the Le'enle is that they're a meta-genre species: because they are immortal superbeings who choose to live among mortals, they are as at home in a scifi dystopia as they are in an urban fantasy as they are in a fairy tale. For this story, I chose to return to their medieval-fantasy-esque roots to tell a gentle story about magical inventory.

Okay, it's not about magical inventory. But I did have a lot of fun designing Prissa's potions, and I hope you enjoy reading about them.🧡

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September 11, 2026
Freebie Short: Tapa's Adventure

This one was originally published in Raconteur Press's anthology All Will Burn 3, the theme of which was "parents will do anything for their children." Most people went super-serious with that theme. I decided to go slapstick, and set this one in the Peltedverse. It's about the Guardkin, and eventually it will go in the Forecourt collection I'm planning. But for my locals supporters, here's your dose of fun for Friday!

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